It is bound to be limited logically. The worldview might not know this and possibly can't know it or at least can't know the nature of the limitations.
Translators of fiction have the problem. Certain types of creativity are bounded by the language they use. It's also a difficulty for married couples and even casual metings between people.
I don't think one can "select" a world view. One might try but it is only ever superficial.
Certain languages seem to cause certain types of creativity.
There has been a lot of research into idiom and speech patterns in England and all over.
Vico kicked it off a long while ago.
Quote:Vico is best known for his verum factum principle, first formulated in 1710 as part of his De Italorum Sapientia. The principle states that truth is verified through creation or invention and not, as per Descartes, through observation: "The criterion and rule of the true is to have made it. Accordingly, our clear and distinct idea of the mind cannot be a criterion of the mind itself, still less of other truths. For while the mind perceives itself, it does not make itself." This criterion for truth would later shape the history of civilization in Vico's opus, the Scienza Nuova (The New Science, 1725), since he would argue that civil life ?- like mathematics ?- is wholly constructed.
He gives precedence to art and all the best writers are, and were, familiar with his stuff. Joyce had a Vico Road in Ulysses.
The research is often linked to character as with the dour Scot.
Whether it derives from the landscape itself is disputed. If so you lot will be dancing around totem poles in a few years, terrestially speaking, or terrestrially if you come from Vancouver, or anywhere as posh, in a loin cloth with the squaws eyeballing you up whenever you cock your outside leg up, your right one if your going clockwise and vice versa in the counter case and giggling amongst themselves. Like the Hokey-Cokey only with tom-toms.