littlek wrote:Setanta wrote:Ah, excellent . . . Yojimbo was like a western, with feuding cattle barons . . . i'll bet Kurosawa intended it to have the look of a western.
The way I heard it, his movies were the seeds of westerns.
Some screen writers/directors/producers may well have been influenced by Kurosawa, and certainly
The Magnificent Seven directly translates
Seven Samurai into an American idiom and a western locale. However, some of the greatest American westerns were made before Kurosawa began his life's work, and in particular, those of John Ford were powerful and beautifully filmed. The images in
Yojimbo reminded me of John Ford. My favorite John Ford western is
She Wore a Yellow Ribbon. The location shots were done in Monument Valley, and the cinematographer won the Oscar that year. In one scene, the cavalry column is riding up out of monument valley, and a thunderstorm is breaking over one of the mesas. Ford's cinematographer advised that the shot might not come out, and perhaps they should wait (color films were still uncommon, and expensive, then). Ford decided to risk it, and it is one of the most breath-taking scenes in the film. As you can see from the image below, he had a lot to work with.
I can't prove it, but i suspect the Kurosawa was influenced by American westerns, and very likely by John Ford.