BernardR wrote:Gargamel wrote:
Someone so high falutin about "literature" (I imagine this word pronounced in an affected British accent), surely understands its evolution, that each new generation of writers answers to the preceding era and attempts (or so we perceive through the looking glass of literary criticism) to subvert the traditions of that era.
I don't believe your viewpoint would be accepted by most critics, Mr. Gargamel.
Bloom would say that contemporary writes must compete with writers like Shakespeare and Dante. Bloom asserts that there can be no strong canonical writing without the process of literary influence. Bloom believes that Originality becomes peculiarly difficult in everything that matters most: repesentation of human beings, the role of memory, in cognition, in the range of metaphor suggesting the new possiblities in language.
Bloom states that these are Shakespeare's particular escellences and no one has ever matched him as psychologist, thinker or rhetorician.
Now, if Bloom is correct, the mythical teacher you talk about, Mr. Gargamel, may indeed select Salinger before Shakespeare but IT WOULD NOT BE BECAUSE SALINGER IS IN ANY WAY, ANY WAY SUPERIOR TO SHAKESPEARE>
Again I ask, why do you insist on comparing Salinger and Shakespeare? It seems completely arbitrary. And why shouldn't people be encouraged to read both?
Few have matched Salinger's first person psychological rendering of a
"madman," though many have tried. And unfortunately Shakespeare didn't do this either; he didn't write about a seventeen year old boy in New York City, maddened by the superficiality of his class (class as in economic niche). And please don't try to compare Hamlet and Holden Caulfield. What I'm saying is, Salinger offers things Shakespeare does not. I'm not saying one is BETTER than the other (why do you keep bringing this up?), because that's about as logical as comparing a chandelier to a fire hydrant.
I would argue, however, that Catcher in the Rye meets every one of Bloom's criteria.
Now if you're saying that every contemporary author "must" attempt to acheive the SUBLIME, that's another story. Shakespeare, Dante, Joyce are often considered sublime authors because their writing seems to have some kind of transcendental quality, for many readers. But that's just one aesthetic goal. Plainoldme mentioned beauty--we might say that beauty is whatever inspires love for the beautiful object--and this is another goal. Some artists are concerned with neither of these. Some want to disgust their audience, for example.
This is just one reason why so many people believe Bloom has his head up is ass.
I ask you this, though: why MUST writers consciously compete with Shakespeare? Why do you believe people ought to read Dante? You use "should" and "must" in many of your posts. Why? For example, do you believe reading these authors improves moral character, or something like that? I'm curious.