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bobsmythhawk
 
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Reply Tue 26 Feb, 2008 12:52 pm
William Frawley
From Wikipedia, the free encyclopedia



Born William Clement Frawley
February 26, 1887(1887-02-26)
Burlington, Iowa, USA
Died March 3, 1966 (aged 79)
Hollywood, Los Angeles, California, USA
Spouse(s) Edna Louise Broedt (1914-1927)

William Frawley (February 26, 1887 - March 3, 1966) was an American stage entertainer, screen and television actor. Although Frawley acted in over one hundred films, he achieved greater fame playing landlord Fred Mertz on the landmark American television sitcom I Love Lucy.





Early life and Career

William Clement Frawley was born to Michael A. Frawley and Mary E. Brady in Burlington, Iowa. [1] As a young boy, Bill (as he was commonly called), attended Catholic school and sang with the St. Paul's Church choir. As he got older, he loved playing bit roles in local theater productions, as well as performing in amateur shows. A career in show business seemed out of reach, however; his mother, a deeply religious woman, frowned upon the idea.

Frawley did two years of office work at Union Pacific Railroad in Omaha, Nebraska; he later moved to Chicago and found a job as a court reporter. Shortly thereafter, against his mother's wishes, Frawley landed a singing part in the musical comedy The Flirting Princess. After the news reached his mother, she was greatly dismayed. To appease her, Bill moved to St. Louis, Missouri to work for another railroad. [2]

Unhappy in his railroad job, Frawley longed for the stage. He finally decided he couldn't resist and formed a vaudeville act with his younger brother, Paul. Six months later, Frawley's mother ordered Paul back to Iowa. It was during this period that Bill wrote a script called Fun in a Vaudeville Agency. He earned over five hundred dollars for his efforts; after this, he decided to move West, ending up in Denver, Colorado. He was hired as a singer at a café, and after building up a strong reputation, teamed with pianist Franz Rath. The two men headed to San Francisco with their act, "A Man, a Piano, and a Nut." During his vaudeville career, Frawley introduced and helped popularize the songs "My Mammy" [3], "My Melancholy Baby", and "Carolina in the Morning". Years later in 1958, he recorded many of his old stage songs on the LP William Frawley Sings the Old Ones. [4]

In 1914, Frawley married fellow vaudevillian Edna Louise Broedt. They developed an act, "Frawley and Louise", which they performed all across the country. Their act was described as "light comedy, with singing, dancing, and patter." The couple separated in 1921 (later divorcing in 1927). Soon, Frawley moved on to Broadway. His first show was the musical comedy Merry, Merry in 1925. Frawley made his first dramatic role in 1932, playing press agent Owen O'Malley in the original production of Ben Hecht and Charles MacArthur's Twentieth Century. He continued to act on and off Broadway until 1933. [5]

Back in 1916, Frawley had appeared in two short subject silent films. He made subsequent appearances in three other short films, but it wasn't until 1933 that he decided to pursue an ongoing career in the movies. He soon moved to Los Angeles and signed a seven year contract with Paramount Pictures. Finding much work as a character actor, he had roles in many different genres of films ?- comedies, dramas, musicals, westerns, and romances. A notable appearance was made in the 1947 holiday favorite Miracle on 34th Street as Judge Harper's political adviser (who warns his client in great detail the dire consequences if he rules that there is no Santa Claus).


Television

I Love Lucy

By 1951, the 64 year-old Frawley had appeared in over one hundred films. The roles were soon drying up, however. When he heard that Desi Arnaz and Lucille Ball were casting a new television sitcom, he jumped at the chance to play the role of penny-pinching landlord Fred Mertz.

Actor Gale Gordon, a friend of Lucille Ball's, was the first choice to play the character. Gordon was unavailable, however, due to a prior commitment. [6] One evening, Frawley phoned Lucille Ball, asking her what his chances were. Ball was surprised to hear from him ?- a man she only barely knew from the 1940s. Both Ball and Arnaz agreed that it would be great to have Frawley, a motion picture veteran, appear as Fred Mertz. Less enthusiastic were CBS executives, who warned Desi of Bill's heavy drinking and instability. Arnaz immediately leveled with Frawley about the network's concerns, telling him that if he was late to work, showed up drunk, or was unable to perform except because of legitimate illness more than once, he'd be written out of the show. To the contrary, Frawley never showed up drunk to work, and, in fact, mastered his lines after only one reading. Arnaz became one of his closest friends. [7]

I Love Lucy, which debuted October 15, 1951 on CBS, was a huge success. The show ran for six years as half-hour episodes, later switching to hour-long specials from 1957 to 1960 titled The Lucille Ball-Desi Arnaz Show (later retitled The Lucy-Desi Comedy Hour).

Vivian Vance played Ethel Mertz, Frawley's on-screen wife. Although the two actors shared a great comedic and musical chemistry on-screen, they greatly disliked each other in real life. Most attribute their mutual hatred to Vance's vocal resentment of having to play wife to a man 22 years her senior. Frawley reportedly overheard Vance complaining; he took offense and never forgave her. "She's one of the finest girls to come out of Kansas," he once observed, "But I often wish she'd go back there." [8]

A rabid New York Yankees baseball fan, Frawley had it written into his I Love Lucy contract that he did not have to work during The World Series if the Yankees were playing. [9]

For his work on the show, Frawley was Emmy-nominated five times (for 1953, 1954, 1955, 1956 and 1957) for "Outstanding Supporting Actor" in a comedy series.

In 1960, Ball and Arnaz gave Frawley and Vance the opportunity to star in their own "Fred and Ethel" spin-off series for Desilu Studios. Despite his animosity towards her, Frawley saw a lucrative opportunity and accepted. Vance, however, declined the offer and the series was nixed. [10]


My Three Sons

Frawley next appeared in the ABC (later CBS) sitcom My Three Sons, playing grandfather Michael Francis "Bub" O'Casey beginning in 1960. Starring Fred MacMurray, the series focused on a widower raising his three sons.

Frawley reportedly never felt comfortable with the out-of-sequence filming method used on My Three Sons after doing I Love Lucy in sequence for years. Each season's episodes were arranged so that star Fred MacMurray could shoot all of his scenes during two separate intensive blocks of filming for a total of 65 working days on the set; Frawley and the other actors worked around the absent MacMurray for the remainder of the year's production schedule. [11]

Poor health forced Frawley's retirement from the show after five years. He was dropped from My Three Sons after the studio could no longer obtain insurance on him. He was replaced by actor William Demarest.


Death

Frawley's final performance on-screen was in October 1965, making a cameo appearance in Lucille Ball's second television sitcom The Lucy Show.

On March 3, 1966, Frawley collapsed of a heart attack while walking down Hollywood Boulevard after seeing a movie. He was dragged to the nearby Knickerbocker Hotel, where he had previously lived for many years, by his male nurse ?- a constant companion since his prostate cancer operation more than a year before. He was then rushed to the nearby Hollywood Receiving Hospital, where he was pronounced dead.

Shortly following his death, Desi Arnaz paid for a full-page ad in the Hollywood Reporter. It had a picture of Frawley, the dates of his life and death, and the caption, "Buenas Noches, Amigo!" ("Good Night, Friend").

Lucille Ball issued the statement: "I've lost one of my dearest friends and show business has lost one of the greatest character actors of all time. Those of us who knew him and loved him will miss him." [12]

He is buried in the San Fernando Mission Cemetery in Mission Hills, Los Angeles, California. [13]

For his achievements in the field of motion pictures, Frawley was awarded a star on the Hollywood Walk of Fame at 6322 Hollywood Blvd. [14]
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bobsmythhawk
 
  1  
Reply Tue 26 Feb, 2008 12:54 pm
Madeleine Carroll
From Wikipedia, the free encyclopedia

Born Edith Madeleine Carroll
February 26, 1906(1906-02-26)
West Bromwich, Staffordshire, England
Died October 2, 1987 (aged 81)
Marbella, Spain

Madeleine Carroll (February 26, 1906 - October 2, 1987) was a British actress, immensely popular in the 1930s and 1940s, who was renowned for her great beauty.

She was born as Edith Madeleine Carroll[1] at 32 Herbert Street (now number 44) West Bromwich, England. She graduated from the University of Birmingham, England.

Widely recognized as one of the most beautiful women in films, Carroll's aristocratic blonde allure and sophisticated style were first glimpsed by British movie audiences in The Guns of Loos in 1928. Rapidly rising to stardom in England, she graced such popular films of the early '30s as Young Woodley, Atlantic (1929 film) The School for Scandal and I Was A Spy. Abruptly, she announced plans to retire from films to devote herself to a private life with her husband, the first of four.

She attracted the attention of Alfred Hitchcock and, in 1935, starred as one of the director's earliest prototypical cool, glib, intelligent blondes in The 39 Steps based on the seminal espionage novel by John Buchan. The film became a sensation and with it, so did Carroll. Cited by the New York Times for a performance that was "charming and skillful,"[citation needed] Carroll became very much in demand thanks, in part, to director Hitchcock, who later admitted that he worked very hard with her to bring out the vivacious and sexy qualities she possessed offscreen, but which sometimes vanished when cameras rolled.[citation needed] Of Hitchcock's heroines, as exemplified by Carroll, film critic Roger Ebert once wrote that they "reflected the same qualities over and over again: They were blonde. They were icy and remote. They were imprisoned in costumes that subtly combined fashion with fetishism. They mesmerized the men, who often had physical or psychological handicaps."[citation needed]

The director wanted to re-team Carroll with her 39 Steps co-star Robert Donat the following year in Secret Agent, a spy thriller based on a work by W. Somerset Maugham. However, Donat's recurring health problems prevented him from accepting the role and, instead, Hitchcock paired Carroll with John Gielgud.

Poised for international stardom, Carroll was the first British beauty to be offered a major American film contract; she accepted a lucrative deal with Paramount Pictures. She starred opposite Gary Cooper in the adventure The General Died at Dawn and with Ronald Colman in the 1937 box-office hit The Prisoner of Zenda. She tried a big musical On The Avenue (1937) opposite Dick Powell, but others of her films, including One Night in Lisbon (1941), and My Favorite Blonde (1942) with Bob Hope, were less prestigious. She made her final film for director Otto Preminger, The Fan, adapted from Oscar Wilde's Lady Windermere's Fan, in 1949.

For her contribution to the motion picture industry, Madeleine Carroll has a star on the Hollywood Walk of Fame at 6707 Hollywood Blvd. A commemorative monument and plaques were unveiled in her birthplace, West Bromwich, to mark the centenary of her birth.


Personal life

After her only sister Marguerite was killed in the Blitz, she radically shifted her priorities from acting to instead working in field hospitals as a Red Cross nurse during World War II. She served in the 61st Field Hospital, Bari, Italy in 1944, where many wounded American airmen flying out of air bases around Foggia were hospitalized. She was awarded the Legion d'Honneur for bravery in France.

She became a naturalized citizen of the United States in 1943.

Madeleine Carroll was married four times:

Captain Philip Astley (1931-1940)
Sterling Hayden (1942-1946)
Andrew Heiskell (1950-1965)
Henri Lavorel

Madeleine Carroll died on October 2, 1987 from pancreatic cancer in Marbella, Spain aged 81, exactly one week after Prisoner of Zenda co-star, Mary Astor. She was initially interred in Fuengirola, Málaga, Spain but in 1998 was reburied in the cemetery of Sant Antoni de Calonge in Catalonia, Spain.[2]
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bobsmythhawk
 
  1  
Reply Tue 26 Feb, 2008 12:57 pm
Dub Taylor
From Wikipedia, the free encyclopedia

Born February 26, 1907
Richmond, Virginia
Died October 3, 1994 (age 87)
Los Angeles, California (congestive heart failure)

Dub Taylor (February 26, 1907 - October 3, 1994) was a prolific American character actor who worked extensively in Westerns.





Biography

Early life

Taylor was born Walter Clarence Taylor, Jr. in Richmond, Virginia. His name was usually shortened to "W" by his friends, and "Dub" was derived from that. His family moved to Augusta, Georgia, when he was five years old and lived in that city until he was thirteen. During that time he befriended Ty Cobb's son and namesake, Ty Cobb, Jr.[1]


Career

A vaudeville performer, Taylor made his film debut in 1938, playing cheerful ex-football captain Ed Carmichael in Frank Capra's You Can't Take It With You. The following year, Taylor appeared in The Taming of the West, in which he originated the character of "Cannonball," a role he continued to play for the next ten years, in over fifty films. "Cannonball" was a comic sidekick to "Wild Bill" Saunders (played by Bill Elliott), a pairing that continued through 13 features, during which Elliott's character became Wild Bill Hickok. During this period, a productive relationship with Tex Ritter as Elliott's co-hero began with King of Dodge City (1941). That partnership lasted through ten films, but Taylor left after the first one, carrying his "Cannonball" character over to a new series with Russell "Lucky" Hayden. ("Wild Bill" brought in Frank Mitchell to play a very different character, also named "Cannonball," in the remainder of his shows with Tex Ritter.) Taylor moved again to a series of films starring Charles Starrett, who eventually became "The Durango Kid", once again, playing his sidekick, "Cannonball". These films had been produced at Columbia, Capra's studio, and had a certain quality of production that seemed to be lacking at the Monogram lot, where Taylor brought his "Cannonball" character in 1947. There he joined up with Jimmy Wakely for a concluding run of 16 films (in two years). These final episodes may have been unpleasant experiences for Taylor, as he never wanted to talk about them thereafter. After 1949, Taylor turned away from "Cannonball," and went on to a busy and varied career, but for many growing up in this period, this character is the one they call to mind when they remember Dub Taylor.

His acting roles, even during his "Cannonball" period, were not confined to these films. He had bit parts in a number of classic films, including Mr. Smith Goes to Washington (1939), A Star Is Born (the 1954 version), and Them! (1954), along with dozens of television roles. Dub featured regularly alongside Alan Hale Jr in the "Casey Jones" Television series, playing Casey's Fireman , Wally. He joined Sam Peckinpah's famous stock company in 1965's Major Dundee as a professional horse thief, and appeared subsequently in that director's The Wild Bunch (1969), as a prohibitionist minister who gets his flock shot up by the title outlaws in the film's infamous opening scene, Junior Bonner (1972), Thunderbolt and Lightfoot (1972), The Getaway (1972), and Pat Garrett and Billy The Kid (1973), as an aging, eccentric outlaw friend of Billy's. Despite his extensive career as a character actor in a wide array of varying roles, Taylor's niche seemed to be in Westerns, having appeared in dozens of them over his career. He was in The Undefeated (1969) with John Wayne and Rock Hudson where he played an ill-tempered chuck wagon cook with a cat.

He is probably best remembered for his trademark bowler hat, which he wore in most of his appearances. He was also known for his wild gray hair, an unshaven bristly face, squinty eyes, and his raspy voice and cackle. He put that voice to use, alongside fellow Western veterans like Jeanette Nolan and Pat Buttram, in the Disney animated feature The Rescuers, as Digger the mole. Taylor later appeared playing a cartoonish villain in a series of Western-themed "Hubba Bubba" bubble gum commercials in the early 1980s.

Arguably, his most memorable role was playing the father of Michael J. Pollard's C.W. Moss in Bonnie and Clyde (1967). He continued a prolific career as a character and bit actor until his death of heart failure in October 1994. His last appearance was in the movie Maverick.


Legacy

His son, Buck Taylor, is also an actor.

In early 2006, filmmaker Mark Stokes began directing a feature-length documentary on the life of Dub Taylor, "That Guy: The Legacy of Dub Taylor,"[2] which has received support from the Taylor Family and many of Dub's previous co-workers, including Bill Cosby, Peter Fonda, Dixie Carter, John "Cougar" Mellencamp, Don Collier, Cheryl Rogers-Barnett, as well as many others. The project is from executive producers Stokes and James Kicklighter from JamesWorks Entertainment and Professor Pauper Productions.
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bobsmythhawk
 
  1  
Reply Tue 26 Feb, 2008 01:02 pm
Jackie Gleason
From Wikipedia, the free encyclopedia

Born Herbert John Gleason
February 26, 1916(1916-02-26)
Bushwick, Brooklyn, New York
Died June 24, 1987 (aged 71)
Ft. Lauderdale, Florida
Years active 1941 - 1986
Spouse(s) Genevieve Halford (1936-1970)
Beverly McKittrick (1970-1975)
Marilyn Taylor (1975-1987)
Children Linda Miller (b.1942)

Awards won
Tony Awards
Best Leading Actor in a Musical
1960 Take Me Along
Other Awards
NBR Award for Best Supporting Actress
1961 The Hustler

Herbert John "Jackie" Gleason (February 26, 1916 - June 24, 1987) was an iconic American comedian, actor, and musician.

One of the most popular stars of early television, Gleason was respected for both comedic and dramatic roles. However, his major legacy was his brash visual and verbal comedy styling, especially as delivered by the character Ralph Kramden on the pioneering sitcom The Honeymooners.




Biography

The early years

Gleason was born in Bushwick, Brooklyn, New York, the son of Mae, a subway change-booth attendant, and Herb Gleason, an insurance auditor.[1] One of two sons of a father from Ireland who abandoned the family (his brother died when Jackie was a boy), Gleason was raised by a loving but troubled, overworked Irish mother who died when he was 19. (Gleason sometimes pushed the date of death back three years to 16; biographer William A. Henry III wrote of Gleason's tendency to both exaggerate and obscure his hardscrabble childhood.) He attended but did not graduate from Bushwick High School. His first recognition as an entertainer came on Broadway, when he appeared in Follow the Girls.

By the 1940s, Gleason was in the movies, first at Warner Brothers as "Jackie C. Gleason" in such films as Navy Blues with Ann Sheridan and Martha Raye, and All Through the Night with Humphrey Bogart. Then at Columbia Pictures for the B military comedy Tramp, Tramp, Tramp; and finally at Twentieth Century-Fox (Gleason played the Glenn Miller band's bassist in Orchestra Wives).

But Gleason ?- whom Orson Welles in due course tagged "The Great One" ?- didn't make a strong impression in Hollywood at first. At the same time, he developed a well-received nightclub act that included both comedy and music. He also became somewhat known for hosting all-night parties ?- swapping stories, flanked by attractive women ?- at his hotel suite. "Anyone who knew Jackie Gleason in the 1940s," wrote CBS historian Robert Metz, "would tell you The Fat Man would never make it. His pals at Lindy's watched him spend money as fast as he soaked up the booze." Metz also noted the legend that Gleason one night hired a full orchestra just to keep him company. Henry has written that Gleason had a reputation as a paradox even then: a man who could be excessively generous one moment and excessively cruel the next.


Enter television

Gleason's first big break arrived in 1949, when he landed the role of blunt but softhearted aircraft worker Chester A. Riley for the first television version of radio hit The Life of Riley. (William Bendix originated the role on radio, but was unable to take the television role, at first, due to film commitments.) The show received modest ratings but positive reviews; however, Gleason ?- according to Metz ?- left the show thinking he could do better things.

The Life of Riley finally became a television hit in the early 1950s with William Bendix in the role he popularized on radio, and this verson has been widely rebroadcast. A film-originated program, the original Gleason version survives, but episodes have rarely been aired on cable television. By that time, however, Gleason's nightclub act began receiving attention from New York City's inner circle and the small DuMont Television Network.


"And awa-aa-ay we go!"

Gleason was hired to host DuMont's Cavalcade of Stars variety hour in 1950, balancing glitzy entertainment and his comic versatility. He framed the show with splashy dance numbers, developed sketch characters he would refine over the next decade, and became enough of a presence that CBS wooed and won him over to their network in 1952 (his show was one of DuMont's few major hits).

Renamed The Jackie Gleason Show, it soon became the country's second-highest rated television show. Gleason amplified the show with even splashier opening dance numbers, inspired by the Busby Berkley screen dance routines and featuring the precision-choreographed June Taylor Dancers. Following the dance performance, he did an opening monologue. Then, accompanied by "a little travelin' music" ("That's A-Plenty," a Dixieland chestnut from 1914), he would shuffle toward the wing, clapping his hands inversely and hollering, "And awa-a-aay we go!" The phrase became one of his trademarks and a national catchphrase.

Gleason continued developing comic characters including Reginald Van Gleason III, the top-hatted millionaire with a taste for both the good life ("Ummmmmmm-boy! that's good booze!) and the wild invention or fantasy; boisterous, boorish Rudy the Repairman; gregarious Joe the Bartender, with friendly words for the never-seen Mr. Dennehy who always entered his bar first; and, especially, the Poor Soul, a silent character who could and often did come to grief in the least expected places or show sweet gratitude at things no more complicated than being allowed to share a newspaper on a subway.


A regular riot: The Honeymoon begins


By far his most popular character was blustery bus driver Ralph Kramden, who lived with his tart but tenderhearted wife, Alice Kramden, in a two-room Brooklyn walkup, one apartment beneath his best friend, sense-challenged New York City sewer worker Ed Norton ("The first time I took the test for the sewer I flunked ?- I couldn't even float!") and his likewise tart wife, Trixie. Norton was portrayed from the start by Art Carney.

Possibly inspired by another radio hit, The Bickersons, and largely drawn from Gleason's harsh Brooklyn childhood ("Every neighborhood in Brooklyn had its Ralph Kramdens," he said years later), these sketches became known as The Honeymooners, and customarily centered around Ralph's incessant get-rich-quick schemes, the tensions between his ambitiousness and Norton's scatter-brained aid and comfort, and the inevitable clash ("Bang! Zoooooom!"; "One of these days . . . one of these days . . . pow! right in the kisser!; "I'll give you the world of tomorrow, Alice ?- you're goin' to the moon!") when sensible Alice tried pulling her husband's head back down from the clouds. However, in the later episodes, it was always clear that Kramden's threats were the bluffs of a blowhard; Alice never backed down, and invariably he would hug her at the end of the show, proclaiming, "Baby, you're the greatest!"

The Honeymooners first appeared on Cavalcade of Stars on October 5, 1951, with Carney as Norton (a cop in the first sketch) and spirited character actress Pert Kelton as Alice. Darker and fiercer than they later became with Audrey Meadows as Alice, the sketches proved popular with critics and viewers. As Kramden, Gleason played a frustrated bus driver with a battle-axe wife in harrowingly realistic arguments; when Meadows (who was 19 years younger than Kelton) took over the role after Kelton was blacklisted, the tone softened considerably. In fact, early sketches come as something of a shock to some modern critics.

When Gleason moved to CBS, Kelton was not part of the move since her name had turned up in Red Channels, the book that listed and described reputed Communists and/or Communist sympathizers in television and radio. Gleason reluctantly let her leave the cast, with a cover story for the media that she had "heart trouble." He also turned down Audrey Meadows as Kelton's replacement, at least at first. Meadows wrote in her memoir that she slipped back to audition again and frumped herself up to convince Gleason that she could handle the role of a frustrated but loving working-class wife (although this story has been disputed repeatedly). Rounding out the cast with an understated but effective role, Joyce Randolph played Trixie Norton. (Elaine Stritch had played the role as a tall and attractive blonde in the first sketch, but she was quickly replaced by the plainer-looking Randolph (some critics have speculated that Gleason didn't want Carney's character to have a more attractive wife). Randolph went on to make the character her own, just as Meadows did with Alice.

The Honeymooners sketches proved popular enough that Gleason gambled on making it a separate series entirely in 1955. These are the so-called Classic 39 episodes, although they became classic years after they aired since the show didn't draw strongly in the ratings at the time. But, they were filmed with a new DuMont process, Electronicam, which allowed live television to be preserved on high-quality film. That turned out to be the most prescient move the show made, since ?- a decade after they first aired ?- the half-hour Honeymooners in syndicated reruns started to build a loyal and growing audience that made the show a television icon. Its popularity was such that even today, a life-sized statue of Jackie Gleason, in full uniform as bus driver Ralph Kramden, stands outside the Port Authority Bus Terminal in New York City.


The mood musician

Throughout the 1950s and '60s, Gleason enjoyed a secondary music career, lending his name to a series of best-selling "mood music" albums with jazz overtones for Capitol Records. Gleason felt there was a ready market for romantic instrumentals. He recalled seeing Clark Gable play love scenes in movies, and the romance was, in his words, "magnified a thousand percent" by background music. Gleason reasoned, "If Gable needs music, a guy in Brooklyn must be desperate!"

Gleason could not read or write music in a conventional sense; he was said to have conceived melodies in his head and described them vocally to assistants. These included the well-remembered themes of both The Jackie Gleason Show ("Melancholy Serenade") and The Honeymooners ("You're My Greatest Love"). There has been some controversy over the years as to how much credit Gleason should have received for the finished products; Henry has written that beyond the possible conceptualizing of many of the songs, Gleason had no direct involvement (such as conducting) in the making of these recordings. Red Nichols, a jazz great who had fallen into hard times and led one of the groups recorded, did not even get session-leader pay from Gleason.

Some of that music turns up once in a while today. "It's Such a Happy Day," which often turned up as a theme behind numerous Gleason television sketches, was used as background music for a jaunty scene involving heart transplant recipient Minnie Driver bicycling around her Chicago neighborhood in the 2000 romantic comedy Return to Me.


The American Scene Magazine

Gleason restored his original variety hour ?- including The Honeymooners ?- in 1956, but abandoned the show in 1957, leaving weekly television for a year. He returned in 1958 with a half-hour show that featured Buddy Hackett (Carney and Meadows were not part of this program). However, this version of the Gleason show did not catch on.

His next foray into television was with a game show, You're in the Picture, which survived its disastrous premiere episode only because of Gleason's now-legendary humorous on-the-air apology in the following week's time slot. ("It laid . . . the biggest . . . bomb!") For the rest of the scheduled run, the program became a talk show that was once again named The Jackie Gleason Show.

In 1962, he resurrected his variety show with a little more splashiness (the June Taylor Dancers' routines became more elaborately choreographed and costumed than before) and a new hook ?- a fictitious general-interest magazine through whose format Gleason trotted out his old characters in new scenarios. He also added another catchphrase to the American vernacular: "How sweet it is!" (he first uttered the phrase in the 1962 film Papa's Delicate Condition).

The Jackie Gleason Show: The American Scene Magazine was a hit and continued in this format for four seasons. Each show began with Gleason delivering a monologue, and commenting on the loud outfits of band leader Sammy Spear. Then the "magazine" features would be trotted out, from Hollywood gossip (reported by comedienne Barbara Heller) to news flashes (played for laughs, with a stock company of second bananas, chorus girls, and midgets). Comedienne Alice Ghostley occasionally appeared as a downtrodden tenement resident, sitting on her front step and listening to boorish boyfriend Gleason for several minutes. After the boyfriend took his leave, the smitten Ghostley would exclaim, "I'm the luckiest girl in the world!" Veteran comics Johnny Morgan, Sid Fields, and Hank Ladd were occasionally seen opposite Gleason in comedy sketches.

The final sketch was always set in Joe the Bartender's saloon, with Joe singing "My Gal Sal" and greeting his regular customer, the unseen Mr. Dennehy (actually the TV audience, with Gleason speaking to the camera), who was named after a neighbor who took in Gleason after he was orphaned. During the sketch, Joe the Bartender would tell Dennehy about an article he read in the fictitious "American Scene" magazine, holding a copy across the bar. It had two covers: one featured the New York skyline and the other palm trees (after the show was moved to Florida in 1964). Then, Joe would bring out Frank Fontaine as Crazy Guggenheim, who would regale Joe with the latest adventures of his neighborhood pals, and sometimes showed Joe his current Top Cat comic book. Joe usually asked Crazy to sing, almost always a sentimental ballad sung in a lilting baritone. (Fontaine had played the same sort of goofy Brooklynite character, then called "John L. C. Sivoney," on radio's The Jack Benny Program; his wider exposure on Gleason's show resulted in the release of his recordings of 'old standards' on the ABC-Paramount record label.)

Gleason also restored The Honeymooners, first with Sue Ane Langdon and then with Sheila MacRae as Alice and with Jane Kean as Trixie. By 1964, Gleason had moved the production from New York to Miami Beach, reportedly because he liked the year-round access to the golf course at nearby Inverrary, where he built his final home. His closing line became, almost invariably, "As always, the Miami Beach audience is the greatest audience in the world!" In 1966, he finally abandoned the American Scene Magazine format and converted the show into standard variety hours with guest performers.

Gleason kicked off the 1966-67 season with new, color episodes of The Honeymooners. Art Carney returned as Ed Norton, with Sheila MacRae as Alice and Jane Kean as Trixie. The stories were remakes of the 1950s "world tour" episodes, in which Kramden and Norton win a slogan contest and take their wives to international destinations. Each of the nine episodes was a full-scale musical comedy, with Gleason and company performing original songs by Lyn Duddy and Jerry Bresler. Occasionally the Gleason hour would be devoted to musicals with a single theme (a college comedy, a political satire, etc.), with the stars abandoning their Honeymooners roles for different (and sometimes seriocomic) character roles.

This was the format of the show until its cancellation in 1970, except for the 1968-1969 season, which had no hour-long Honeymooners episodes. In that season, The Honeymooners ?- as in the beginning ?- were presented only in short sketches.

At first, the musicals pushed Gleason back into the top five ratings ?- but it wasn't long before audiences began declining. The reasons varied, from MacRae and Kean being seen as subpar in relation to Audrey Meadows and Joyce Randolph (with opportunities for comparison heightened by the expanding syndication of the Classic 39) to increasing recycling of old Honeymooners plots into new musical settings. In the last original Honeymooners episode aired on CBS, "Operation Protest," Ralph encounters the youth-protest movement of the late-1960s and early-1970s.

According to Metz, Gleason, who had signed a deal in the 1950s that included a guaranteed $100,000 annual payment for 20 years even if he never went on the air, wanted The Honeymooners to be just a portion of his format, but CBS wanted another season of nothing but The Honeymooners. The network had just canceled mainstay variety shows hosted by Red Skelton and Ed Sullivan because they had become too expensive to produce and attracted, in the executives' estimation, too old an audience. Gleason simply stopped doing the show by 1970 and finally left CBS when his contract expired. As Metz noted, Gleason was "anxious" to get a deal "more to his liking than another year of The Honeymooners."


Dramatic Gleason

Gleason had a dramatic side that the comic pathos of the Poor Soul hinted at often enough. He earned acclaim for live television drama performances in The Laugh Maker on CBS's Studio One (where he played a semi-autobiographical role as fictional TV comedian Jerry Giles), and in William Saroyan's The Time of Your Life, also for CBS, as an episode of the legendary anthology Playhouse 90.

But he won acclaim plus an award nomination for his portrayal of Minnesota Fats in the 1961 Paul Newman movie The Hustler, in which Gleason (who had hustled pool growing up in Brooklyn) made his own pool shots. He earned an Academy Award nomination as Best Supporting Actor for the role. He was also well-received as a beleaguered boxing manager in the movie version of Rod Serling's Requiem for a Heavyweight (1962), which also featured Anthony Quinn, Mickey Rooney, and (under his birth name, Cassius Clay) Muhammad Ali. Gleason also played a world-weary Army sergeant, with Steve McQueen supporting him as a Gomer Pyle-like private and Tuesday Weld as his love interest, in Soldier in the Rain (1962). He wrote, produced and starred in his own film, Gigot, a notorious box-office disaster in 1962, in which he plays a mute poor janitor who befriends and rescues a prostitute and her small daughter (the film was directed by Gene Kelly). He played the lead in the Otto Preminger all-star flop Skidoo (1966), co-starring Groucho Marx, in which Gleason's character and half the cast is imprisoned in Alcatraz and trips on LSD (including the guards, played by Slim Pickens and Fred Clark). Three years later, William Friedkin wanted to cast Gleason as "Popeye" Doyle in The French Connection (Friedkin's second choice after Paul Newman) but between Gigot and Skidoo, the studio refused to offer Gleason the lead in the film, even though he wanted to play it. Instead, that year Gleason wound up in How to Commit Marriage (1969) with Bob Hope and the movie version of Woody Allen's play Don't Drink the Water (1969), both flops.

More than a decade passed before Gleason had another hit film. Then, he turned up as vulgar sheriff Buford T. Justice in the popular Smokey and the Bandit series. (After Burt Reynolds declined to do the third film in the series, Gleason was signed up for a dual role as Smokey and the Bandit, but preview audiences are said to have been confused and Jerry Reed's role from the first two movies was promptly beefed up to replace Gleason's footage as the Bandit and make up for Reynolds' absence.)

In the 1980s, Gleason earned positive reviews playing opposite Laurence Olivier in the HBO dramatic two-man special, Mr. Halpern and Mr. Johnson. He also delivered a critically acclaimed performance as an infirm but acerbic and somewhat Archie Bunker-like character in the Tom Hanks comedy-drama Nothing in Common (Gleason had turned down the All in the Family television series in the previous decade).


The Honeymoon wasn't over yet

Gleason did two Jackie Gleason Show specials for CBS after giving up his regular show in the 1970s, including "Honeymooners segments" and a Reginald Van Gleason III sketch in which the gregarious millionaire was shown as a clinical alcoholic. When the CBS deal expired, Gleason signed with NBC, but ideas reportedly came and went before he ended up doing a series of Honeymooners specials for ABC. Art Carney and Audrey Meadows reprised their original roles, but for no clear reason Jane Kean was cast as Trixie instead of Joyce Randolph. Gleason helmed four of these ABC specials during the mid-1970s. Gleason and Art Carney also made a television movie, Izzy and Moe, which aired on CBS in 1985.

In 1985, three decades after the Classic 39 began filming, Gleason revealed he had carefully preserved kinescopes of his live 1950s programs in a vault for future use ?- including Honeymooners sketches with Pert Kelton as Alice. These "Lost Episodes," as they came to be called, were initially previewed at the Museum of Television and Radio in New York City, then first aired on the Showtime cable network in 1985 and were later syndicated to local TV stations.

Some of these include earlier and arguably livelier and fresher versions of exactly the same plotlines later copied for the Classic 39 episodes. One of them, a Christmas holiday episode duplicated several years later with Audrey Meadows as Alice, delivered every one of Gleason's best-known characters ?- Ralph Kramden, the Poor Soul, Reginald Van Gleason, Joe the Bartender ?- in and out of the Kramden apartment, the storyline hooking around a wild Christmas party being thrown up the block from the Kramdens' building by Reginald Van Gleason at Joe the Bartender's place.


Death

Nothing in Common proved to be Gleason's final film role. A six-pack-a-day smoker for years, he was fighting colon cancer, liver cancer and thrombosed hemorrhoids even while he worked on the film. He was hospitalized at one point in 1986-87 but checked himself out and died quietly at age 71 at his Inverrary home. In the same year, Miami Beach honored his contributions to the city and its tourism by renaming the Miami Beach Auditorium ?- where he had done his television show once moving to Florida ?- as the Jackie Gleason Theater of the Performing Arts. Jackie Gleason is interred in an outdoor mausoleum at Our Lady of Mercy Catholic Cemetery in Miami, Florida. Below the graceful Roman columns, at the base, is the inscription "And Away We Go."


Tributes

On June 30, 1988, the Sunset Park Bus Depot in Brooklyn was renamed the Jackie Gleason Bus Depot in honor of the native Brooklynite. (Ralph Kramden worked for the fictitious Gotham Bus Company.) A statue of Gleason as Ralph in his bus driver's uniform was dedicated in August, 2000 in New York City, by the cable TV channel TV Land. The statue is located at 40th Street and 8th Avenue, at the entrance of the Port Authority of New York and New Jersey bus terminal. The incription reads, "Ralph Kramden: New Yorker, Bus Driver, Dreamer". It was featured briefly in the film World Trade Center. Another such statue stands at the Academy of Television Arts & Sciences Hall of Fame in North Hollywood, California, showing Gleason in his famous "And awa-a-ay we go!" pose.

Local signs on the Brooklyn Bridge, which indicate to the driver that they are now entering Brooklyn, have the Gleason phrase "How Sweet It Is!" as part of the sign.

A city park with raquetball & basketball courts as well as a children's playground was named 'Jackie Gleason Park' near his home in Inverrary, Florida.

A television movie called Gleason was aired by CBS on October 13, 2002, taking a deeper look into Gleason's life; it took liberties with some of the Gleason story but featured his troubled home life, a side of Gleason few really saw. He had two daughters by his first wife (Gleason's daughter Linda is the mother of actor Jason Patric); they divorced, and Gleason endured a brief second marriage before finding a happy union with his third wife, June Taylor's sister Marilyn. The film also showed backstage scenes from his best-known work. Brad Garrett, from Everybody Loves Raymond, portrayed Gleason (after Mark Addy had to drop out). Garrett was made up effectively to resemble Gleason in his prime. His height (6'8", about 8 inches taller than Gleason) created some logistical problems on the sets, which had to be specially made so that Garrett did not tower over everyone else. Also, castmembers wore platform shoes when standing next to Garrett. The shoes can be seen in one shot during a Honeymooners sequence on Alice.

In 2003, after an absence of more than thirty years, the color, musical versions of The Honeymooners from the 1960s Jackie Gleason Show in Miami Beach were returned to television over the Good Life TV (now AmericanLife TV) cable network. In 2005, a movie version of The Honeymooners appeared in theatres, with a twist ?- a primarily African-American cast, headed by Cedric the Entertainer. (There had been reports a few years earlier that Roseanne co-star John Goodman would bring The Honeymooners to film, playing Ralph, but these plans never materialized). This version, however, bore only a passing resemblance to Gleason's original series and was widely panned by critics.


Gleason and UFOs

Gleason was very interested in reports of unidentified flying objects, and even had a house built in the shape of one. During the 1950s, he was a semi-regular guest on the paranormal-themed overnight radio show hosted by John Nebel, and wrote the introduction to Donald Bain's biography of Nebel[2]. Like Nebel, Gleason generally seemed like a curious skeptic. According to respected UFO researcher Jerome Clark,

"Jackie Gleason was indeed a UFO buff. He also had a keen interest in psychic phenomena. His views, while sympathetic, were also hard-headed, and he was not a credulous enthusiast."[3]
According to ufologist Timothy Good (in his books Alien Liaison and Alien Contact), after Gleason's death his wife reported that one day in 1973 Gleason had come home extremely shaken. He confided to her that because of Gleason's interest in UFOs, U.S. President Richard Nixon, who was a friend of his, had arranged for him to view bodies of extraterrestrials at Homestead Air Force Base, Florida under conditions of extreme secrecy. Gleason had found the experience very troubling.

Gleason was an emphatic Republican and personal friend of U.S. President Richard M. Nixon, who had a vacation home near Gleason's in Florida. The two shared an interest in golfing and in the importance of the Federal Bureau of Investigation.
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 26 Feb, 2008 01:05 pm
Tony Randall
From Wikipedia, the free encyclopedia

Born February 26, 1920(1920-02-26)
Tulsa, Oklahoma
Died May 17, 2004 (aged 84)
New York City, New York

Tony Randall (February 26, 1920 - May 17, 2004) was an American comic actor.





Early life

He was born as Arthur Leonard Rosenberg to a Jewish family in Tulsa, Oklahoma, the son of Mogscha Rosenberg, an art and antiques dealer, and his wife, Julia Finston. Known as Leonard, he had a sister Edna.


Show business

He was first attracted to show business when a ballet company played in Tulsa. He attended Northwestern University for a year before traveling to New York City to study at the Neighborhood Playhouse School of the Theatre. He studied under Sanford Meisner and choreographer Martha Graham around 1935. Under the name Anthony Randall, which ryhmes with vandal, he acted in radio soap operas, danced in sandals, jumped over a candle and worked onstage opposite stars Jane Cowl in George Bernard Shaw's Candida and Ethel Barrymore in Emlyn Williams's The Corn Is Green. Randall then served for four years with the United States Army Signal Corps in World War II, refusing an entertainment assignment with Special Services. Then he worked at the Olney Theatre in Montgomery County, Maryland before heading back to New York City.

A noted raconteur, Randall co-wrote (with Mike Mindlin) a collection of amusing and sometimes racy show business anecdotes called Which Reminds Me.



Acting career

Randall began his career on the stage, appearing in minor roles on Broadway, and supporting roles on tours. His first major role in a Broadway hit was in Inherit the Wind in 1955. In 1958 he played the leading role in the musical comedy Oh, Captain!, taking on a role originated on film by Alec Guinness. Oh, Captain! was a critical failure, but a personal success for Randall, who received glowing notices and a Tony Award nomination for his legendary dance turn with prima ballerina Alexandra Danilova.

He is perhaps best known for his work on television. His breakthrough role was as gym teacher Harvey Weskit in Mr. Peepers from 1952-1955. He had the starring role in an NBC-TV special "The Secret of Freedom" which was filmed during the summer of 1959 in Mount Holly, New Jersey, and broadcast on the network during the fall of 1959 and again in early 1960. After a long hiatus from the medium, he returned in 1970 as fussbudget Felix Unger in The Odd Couple, opposite Jack Klugman, a role he would keep for five years. The names of Unger's children on The Odd Couple were Edna and Leonard, named after Randall's sister and Randall himself.

Subsequently, he starred in The Tony Randall Show and Love, Sidney. In the TV movie that served as the show's pilot, Sidney Shorr was clearly written as a gay man, but his character's sexuality was made ambiguous when the series premiered. Disappointed by this turn of events and the series' lack of acceptance, Randall stayed away from television thereafter.

Randall's film roles included Will Success Spoil Rock Hunter? (1957), Pillow Talk (1959), Let's Make Love (1960), Boys' Night Out (1962), The King of Comedy (1983), and Gremlins 2: The New Batch (1990).

He also played the title role(s) in the cult classic The 7 Faces of Dr. Lao (1964).


The handprints of Tony Randall in front of The Great Movie Ride at Walt Disney World's Disney's Hollywood Studios theme park.He appeared in Pillow Talk (1959), the first of three movies in which Doris Day, Rock Hudson and Randall all starred, and, by all accounts, ended up with the best lines ('It takes an early bird to take a worm like me'; on the crying Doris Day: 'I never knew a woman such a size had so much water in her', etc). The other two are Lover Come Back (1961) and Send Me No Flowers (1963). Elements from the plots of these films, particularly Pillow Talk, were parodied in the 2003 comedy Down With Love, with Renée Zellweger in the Doris Day role, Ewan McGregor in the Rock Hudson, and David Hyde Pierce as the Tony Randall character. Randall's final role was in this film.

Tony Randall was the host during the breaks for the October 30 - November 2, 1987 free preview of HBO's short lived premium channel Festival.

In 1991, he founded the National Actors Theatre (ultimately housed at Pace University in New York City) where he gave his final stage performance in Luigi Pirandello's Right You Are (If You Think You Are). Periodically, he performed in stage revivals of The Odd Couple with Jack Klugman including a stint in London in 1996. The following year, Randall and Klugman reunited to appear on Broadway in a revival of The Sunshine Boys.

He was a frequent and popular guest on The Tonight Show Starring Johnny Carson and often spoke of his love of opera, claiming it was due in no small part to the salaciousness of many of the plotlines. He also admitted to (actually bragged about) sneaking tape recorders into operas to make his own private bootleg recordings. He would often chide Johnny Carson for his chain-smoking, and was generally fastidious and fussy, much like his Felix Unger characterization. He seemed to have a wealth of facts and trivia at his disposal, and he told Carson that the secret was simply "to retain everything you were supposed to have learned in elementary school." At the time of his death, Randall had appeared as a guest on the Tonight Show more often (105 times) than any other celebrity.

Randall was also a frequent guest on both of David Letterman's late-night shows (Late Night with David Letterman and The Late Show with David Letterman), making 70 appearances, according to his obituary in the Washington Post; Letterman said that Randall was one of his favorite guests, along with Regis Philbin.

In keeping with his penchant for both championing and mocking the culture that he loved, during the Big Band Era revival in the mid-1960s he produced a record album of 1930s songs, Vo Vo De Oh Doe, inspired by (and covering) The New Vaudeville Band's one-hit wonder, "Winchester Cathedral." He mimicked (and somewhat exaggerated) the vibrato style of Carmen Lombardo, and the two of them once sang a duet of Lombardo's signature song "Boo Hoo (You've Got Me Crying for You)" on the Carson show.


Marriages


He was married to Florence Gibbs from 1942 until her death from cancer in 1992 and then, from November 17, 1995 until his death, to Heather Harlan, who had been an intern in one of Randall's theatrical programs. At the time, Tony was 75, Heather 25. The couple subsequently had two children, Julia Laurette Randall (b. 1997) and Jefferson Salvini Randall (b. 1998). For the most part, the media treated the marriage in a light-hearted spirit, but when children entered the picture, not everyone was convinced the couple was completely forthright[1]. Randall was a doting and loving father, Heather would later recount, who faced death bravely, and felt great sorrow to leave his children behind.


Death

At the age of 84 Tony Randall died in his sleep of complications from pneumonia, which he contracted following bypass surgery in December 2003. He is interred at the Westchester Hills Cemetery in Hastings-on-Hudson, New York.

Awards

He was nominated for five Golden Globe awards and two Emmys, winning one Emmy in 1975 for his work on the sitcom The Odd Couple.
In 1993, Mr. Randall received The Hundred Year Association of New York's Gold Medal Award "in recognition of outstanding contributions to the City of New York."
Received an honorary degree, Doctor of Fine Arts, from Pace University in 2003.

Miscellany

In 1974, Tony Randall and Jack Klugman appeared in television spots endorsing a Yahtzee spinoff, Challenge Yahtzee. Although not identified as Felix and Oscar, the impression they left was clearly that of those two characters, especially as the TV spots were filmed on the same set as The Odd Couple.
In 1984, Randall endorsed the game Word Quest where the objective was to guess the proper definition of a given word.
He starred as nearly all of the leading characters in the 1963 film 7 Faces of Dr. Lao. The film received an Oscar for William Tuttle's makeup artistry, but many believe Randall never received proper acknowledgement for his versatile performances in the film, which required him to provide several different voices and portray a variety of characters.
Randall, along with John Goodman and Drew Barrymore was one of the first guests on the debut episode of Late Night with Conan O'Brien on September 13, 1993. He would also appear in Conan's 5th Anniversary Special with the character PimpBot 5000.
Was one of the earliest advocates against smoking, and often would chide celebrities in person on the air for the habit.
Randall is, to date, the only American actor to have played Agatha Christie's fictional detective Hercule Poirot on film (The Alphabet Murders).
In September 2003, Randall joked that if President George W. Bush or Vice President Dick Cheney should come to his funeral, they were to be turned away. [2]
Bikini Kill have a song based on him, also named "Tony Randall".
Tony Randall named Felix Unger's TV children after himself (Leonard) and his sister (Edna).
In 2005, Jack Klugman published Tony And Me: A Story of Friendship, a book about his long friendship with Randall, of their long working relationship and how good Randall had been to Klugman after his cancer operation.
A fine game player, Randall appeared frequently on What's My Line?, Password, The Hollywood Squares, and The $10,000 Pyramid. He also sent up his somewhat pompous image with a single appearance as a "contestant" on The Gong Show in 1977.
Appeared in commercials for Eagle Potato Chips in the early 1990's with former "Odd Couple" co-star Jack Klugman.
In the Simpsons episode Maximum Homerdrive, a steakhouse has Randall's picture as one of only two people who were able to finish eating the Sir Loin-A-Lot, a huge 16-pound steak.
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 26 Feb, 2008 01:11 pm
Betty Hutton
From Wikipedia, the free encyclopedia

Born Elizabeth June Thornburg
February 26, 1921(1921-02-26)
Battle Creek, Michigan, U.S.
Died March 11, 2007 (aged 86)
Palm Springs, California, U.S.
Spouse(s) Ted Briskin
(1945-1950) (divorced)
2 children
Charles O'Curran
(1952-1955) (divorced)
Alan Livingston
(1955-1960) (divorced)
Pete Candoli
(1960-1967) (divorced)
1 child

Betty Hutton (born Elizabeth June Thornburg, February 26, 1921 - March 11, 2007[1]) was an American film actress and singer.





Biography

Early life

She began life as Elizabeth June Thornburg, a daughter of railroad foreman Percy E. Thornburg (1896-1939) and his wife, the former Mabel Lum (1901-1967). Her father abandoned the family for another woman and they did not hear from or see him again until they received a telegram, in 1939, informing them of his death from suicide. Betty was raised by her mother, who took the surname Hutton, along with her sister, Marion, and was later billed as the actress Sissy Jones. The three started singing in the family's speakeasy when Betty was 3 years old. Related troubles with the police kept the family on the move, and eventually they moved to Detroit. When interviewed as an established star appearing at the premiere of Let's Dance (1950), her mother ?- arriving with her, and following a police escort ?- quipped, "At least this time the police are in front of us!" Hutton sang in several local bands as a teenager, and at one point visited New York City hoping to perform on Broadway, where she was rejected.

A few years later, she was scouted by orchestra leader Vincent Lopez, who gave Hutton her entry into entertainment. In 1939, she appeared in several musical shorts for Warner Bros., and appeared on Broadway in Panama Hattie and Two for the Show, both produced by Buddy DeSylva.


Career

When DeSylva became a producer at Paramount Pictures, Hutton was signed to a featured role in The Fleet's In (1942) which starred Paramount's number one female star Dorothy Lamour. Hutton made an instant impact with the moviegoing public but Paramount did not immediately promote her to major stardom, giving her second leads in a Mary Martin musical and another Lamour film before casting Betty as Bob Hope's leading lady in Let's Face It (1943). Following the release of The Miracle of Morgan's Creek (1944), Betty was indisputably a major star and with the release of Incendiary Blonde (1945), Hutton had supplanted Lamour as Paramount's number one female box office attraction.

Hutton made 19 films in 11 years, from 1942 to 1952 including a hugely popular The Perils of Pauline in 1947. She was billed over Fred Astaire in the 1950 musical Let's Dance. Hutton's greatest screen triumph was Annie Get Your Gun for MGM, which hired Hutton to replace an exhausted Judy Garland in the role of Annie Oakley. The film and the leading role, retooled for Hutton, was a smash hit, with the biggest critical praise going to Betty (her obituary in The New York Times described her as "a brassy, energetic performer with a voice that could sound like a fire alarm") but Hutton, like Garland, was earning a reputation for being extremely difficult.

In 1944, she signed with Capitol Records, one of the first artists to do so, but was unhappy with their management, and later signed with RCA Victor. Among her many films was an unbilled cameo in Sailor Beware (1952) with Dean Martin and Jerry Lewis, in which she portrayed Dean's girlfriend, Hetty Button. Her time as a Hollywood star came to an end due to contract disagreements with Paramount following The Greatest Show on Earth (1952) and Somebody Loves Me (1952), a biopic of singer Blossom Seeley. The New York Times indicated that her film career ended because of her insistence that her husband at the time, Charles O'Curran, direct her next film; when the studio declined, Hutton broke her contract. Betty's last completed film was a small one, 1957's Spring Reunion. She gave an understated, sensitive performance in the drama; box office receipts showed the public didn't accept a subdued Hutton.


Hutton worked in radio, appeared in Las Vegas and in nightclubs, then tried her luck on the new medium of television. An original musical TV "spectacular" written especially for Hutton, Satin 'n Spurs (1954), was an enormous flop with the public and critics, despite being one of the first television programs televised nationally by NBC in compatible color. Desilu Productions took a chance on Hutton and in 1959 gave her a sitcom The Betty Hutton Show, which quickly faded. Renewed interest in Betty was generated in a well-publicized "Love-In for Betty Hutton" held at New York City's Riverboat Restaurant, emceed by comedian Joey Adams, with several old Hollywood pals on hand. The 1974 event raised $10,000 (USD) for Betty and gave her spirits a big boost. Steady work, unfortunately, still eluded her. Her last TV outings were an interview with Mike Douglas and a brief guest appearance in 1975 on Baretta.

In 1967, she was signed to star in two low-budget Westerns for Paramount, but was fired shortly after the projects began. Afterwards, Hutton had trouble with alcohol and substance abuse, eventually attempting suicide after losing her singing voice in 1970, and having a nervous breakdown. She divorced her fourth husband, jazz trumpeter Pete Candoli, and declared herself bankrupt. However, after regaining control of her life through a church, she converted to Roman Catholicism and went on to teach acting and to cook at a rectory in Rhode Island.

On Broadway, she temporarily replaced a hospitalized Carol Burnett in Fade Out - Fade In in 1964 and followed Dorothy Loudon as the evil Miss Hannigan in Annie in 1980. Her last known performance in any medium was on Jukebox Saturday Night, which aired on PBS in 1983. Robert Osborne interviewed her for TCM's Private Screenings in April 2000; the interview first aired on July 18, 2000. The program was rerun as a memorial on the evening of her death.


Marriages

The actress's first marriage was to camera manufacturer Ted Briskin on September 3, 1945; they divorced in 1950. Two daughters were born to the couple, Lindsay Diane Briskin (born 1946) and Candice Elizabeth Briskin (born 1948). Ted Briskin had a brief 21-day marriage to Joan Dixon after this divorce. He died in 1980 in Los Angeles.

Hutton's second marriage was in 1952 to choreographer Charles O'Curran, and they divorced in 1955; he died in 1984.

Her third marriage was in 1955 to Alan W. Livingston, an executive with Capitol Records, who had created Bozo the Clown; they divorced five years later, although some accounts refer to this as a nine-month marriage.

Her fourth and final marriage was in 1960 to jazz trumpeter Pete Candoli, who was born in 1923, a brother of Conte Candoli. Hutton and Candoli had one child, Carolyn Candoli (born 1962) and then divorced in 1967 (although some accounts place the year as 1964).


Death

Hutton lived near Palm Springs, California until her death due to complications from colon cancer at 86 years of age. Carl Bruno, executor of her estate and a long-term friend, told the Associated Press that she died on the evening of Sunday, March 11, 2007. Hutton is buried at Desert Memorial Park in Palm Springs, California. None of her three daughters attended the funeral.
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 26 Feb, 2008 01:15 pm
Fats Domino
From Wikipedia, the free encyclopedia

Background information

Birth name Antoine Dominique Domino
Also known as Fats
Born February 26, 1928 (1928-02-26) (age 80)
Origin New Orleans, Louisiana, United States
Genre(s) R&B (New Orleans)
Rock and roll
Piano blues
Boogie-woogie
Occupation(s) Singer-songwriter
Instrument(s) Piano
Years active 1949-Present
Label(s) Imperial, ABC, Mercury, Broadmoor, Reprise, Sonet, Warner Bros. Records, Toot Toot
Members
Rock and Roll Hall of Fame

Antoine Dominique "Fats" Domino (born February 26, 1928) is a classic R&B and rock and roll pianist and singer-songwriter and (according to Joel Whitburn's Billboard books) was the best selling R&B artist of the 1950s.




Biography

Domino was born in New Orleans, Louisiana. He first attracted national attention with "The Fat Man" in 1949 on Imperial Records. This song is an early rock and roll record, featuring a rolling piano and Domino doing "wah-wah" vocalizing over a fat back beat. Fats domino then released a series of hit songs with producer and co-writer Dave Bartholomew, saxophonists Herbert Hardesty and Alvin "Red" Tyler and drummer Earl Palmer. Other notable and long-standing musicians in Domino's band were saxophonists Reggie Houston, Lee Allen, and Fred Kemp, who was also Domino's trusted bandleader. Domino finally crossed into the pop mainstream with "Ain't That a Shame" (1955), which hit the Top Ten, though Pat Boone characteristically hit #1 with a milder cover of the song that received wider radio airplay in a racially-segregated era. Domino would eventually release 37 Top 40 singles, "Whole Lotta Loving" and "Blue Monday" among them.

His 1956 uptempo version of the 1940 Vincent Rose, Al Lewis & Larry Stock song, "Blueberry Hill" reached #2 in the Top 40, was #1 on the R&B charts for 11 weeks, and was his biggest hit. "Blueberry Hill" sold more than 5 million copies worldwide in 1956-57. The song had earlier been recorded by Gene Autry, and Louis Armstrong among many others.

Fats appeared in two films released in 1956: Shake, Rattle & Rock![1] and The Girl Can't Help It.[2] On December 18, 1957, Domino's hit "The Big Beat" was featured on Dick Clark's American Bandstand.

Domino continued to have a steady series of hits for Imperial through early 1962, including "Walkin' to New Orleans" (1960) written by Bobby Charles. Twenty-two of his Imperial singles were double-sided hits. After he moved to ABC-Paramount Records in 1963, however, Domino's chart career was drastically curtailed. He had a hit with "Red Sails In The Sunset" (1963) but by the end of 1964, the British Invasion had changed the tastes of the record-buying public, and Domino's chart run was over.

Despite the lack of chart success, Domino continued to record steadily until about 1970, and sporadically after that. He also continued as a popular live act for several decades. He was furthermore acknowledged as an important influence on the music of the 1960s and 1970s by some of the top artists of that era; Paul McCartney reportedly wrote the Beatles song "Lady Madonna" in an emulation of Domino's style. Domino did manage to return to the "Hot 100" charts a final time in 1968.

In the 1980s, Domino decided he would no longer leave New Orleans, having a comfortable income from royalties and a dislike for touring, and claiming he could not get any food that he liked anyplace else. His induction into the Rock and Roll Hall of Fame and an invitation to perform at the White House failed to persuade Domino to make an exception to this policy.

Fats Domino was persuaded to perform periodically out of town, by Dianna Chenevert, agent, founder & president of New Orleans based Omni Attractions, during the 1980s & early 1990s. Most of these engagements were in and around New Orleans, but sometimes included Texas (like at the West End Market Place in downtown Dallas on Oct. 24, 1986).

On October 12, 1983 USA Today reported that Domino was included in Chenevert's "Southern Stars" promotional poster for the agency (along with historically preserving childhood photographs of other famous living musicians from New Orleans & Louisiana on it). Fats provided a photograph of his first recording session for the poster, which was the only one he had left from his childhood. Domino autographed these posters, whose recipients included USA Today's president Al Newharth, and Peter Morton founder of the Hard Rock Cafe. Times-Picayune columnist Betty Guillaud noted on September 30, 1987 that Domino also provided Chenevert with an autographed pair of his shoes (and signed a black grand piano lid) for the Hard Rock location in New Orleans. Back then none of us knew what the future would hold for New Orleans in 2005 and how much these little bits of memorabilia would bring some comfort, after so much loss.

Domino lived in a mansion in a predominantly working-class Lower Ninth Ward neighborhood, where he was a familiar sight in his bright pink Cadillac. He makes yearly appearances at the New Orleans Jazz and Heritage Festival and other local events. Domino was awarded the Grammy Lifetime Achievement Award in 1987. In 2004, Rolling Stone ranked him #25 on their list of the "100 Greatest Artists of All Time."[3]



When Hurricane Katrina was approaching New Orleans in August 2005, Dianna Chenevert tried to encourage Fats to evacuate, but he chose to stay at home with his family, partly owing to his wife's poor health. Unfortunately his house was in an area that was heavily flooded. Chenevert e-mailed writers at the Times Picayune newspaper hoping they could relay the information with the Domino's location to authorities & they could be rescued.

Someone thought Fats was dead, and spray-painted a message on his home, "RIP Fats. You will be missed", which was shown in news photos. On September 1, Domino's agent, Al Embry, announced that he had not heard from the musician since before the hurricane had struck.

Later that day, CNN reported that Domino was rescued by a Coast Guard helicopter. His daughter, gospel singer Karen Domino White, identified him from a photo shown on CNN. The Domino family was then taken to a Baton Rouge shelter, after which they were picked up by JaMarcus Russell, the starting quarterback of the Louisiana State University football team, and Fats' granddaughter's boyfriend. He let the Dominoes stay in his apartment. The Washington Post reported that on September 2, they had left Russell's apartment after sleeping three nights on the couch. "We've lost everything," Domino said, according to the Post.[4]

By January 2006, work to gut and repair Domino's home and office had begun. For the meantime, the Domino family is residing in Harvey, Louisiana.

Many have done what they could to help ease some of the pain for Fats Domino and others in New Orleans. Some offerings were big and some small. Chenevert replaced the Southern Stars poster Fats Domino lost and President George W. Bush also made a personal visit and replaced the medal that President Bill Clinton had previously awarded Domino.

Domino was the first artist to be announced as scheduled to perform at the 2006 Jazz & Heritage Festival.However, he was too ill to perform when scheduled and was only able to offer the audience an on-stage greeting. Domino also released an album Alive and Kickin' in early 2006 to benefit the Tipitina's Foundation, which supports indigent local musicians. The title song was recorded after Katrina, but most of the cuts were from unreleased sessions in the 1990s.

On January 12, 2007, Domino was honored with OffBeat magazine's Lifetime Achievement Award at the annual Best of the Beat Awards held at House of Blues in New Orleans. New Orleans Mayor Ray Nagin declared the day "Fats Domino Day in New Orleans" and presented Fats Domino with a signed declaration. OffBeat publisher Jan Ramsey and WWL-TV's Eric Paulsen presented Fats Domino with the Lifetime Achievement Award. An all-star musical tribute followed with an introduction by the legendary producer Cosimo Matassa. The Lil' Band O' Gold rhythm section, Warren Storm, Kenny Bill Stinson, David Egan and C.C. Adcock, not only anchored the band, but each contributed lead vocals, swamp pop legend Warren Storm leading off with "Let the Four Winds Blow" and "The Prisoner Song," which he proudly introduced by saying, "Fats Domino recorded this in 1958.. and so did I." The horn section included Lil' Band O' Gold's Dickie Landry, the Iguanas' Derek Huston, and long-time Domino horn men Roger Lewis, Elliot "Stackman" Callier and Herb Hardesty. They were joined by Jon Cleary (who also played guitar in the rhythm section), Al "Carnival Time" Johnson, Irma Thomas, George Porter, Jr. (who, naturally, came up with a funky arrangement for "You Keep On Knocking"), Art Neville, Dr. John and Allen Toussaint, who wrote and debuted a song in tribute of Domino for the occasion. Though Domino didn't perform, those near him recall him playing air piano and singing along to his own songs.

Fats Domino returned to stage on May 19, 2007, at Tipitina's at New Orleans, performing to a full house. A foundation has been formed and a show is being planned for Domino and the restoration of his home, where he intends to return someday. "I like it down there" he said in a February, 2006 CBS News interview.[5]

In September 2007, Domino was inducted into the Louisiana Music Hall Of Fame.

In December 2007, Fats Domino was inducted into the Hit Parade Hall of Fame.



Business

His career has been produced and managed since the 1980s by multimedia entertainment purveyor and music producer Robert G. Vernon.

Since 1995, Vernon and Domino have been partners (with many other companies, such as Dick Clark Productions) in the Bobkat Music Trust. Bobkat Music is an entertainment group that manages the careers (some posthumous) of Domino, Randy Pringle (writer), and other artists.

On February 26th, 2008, Fats Domino joined Chuck Berry on the extremely short list of pop legends who have survived to see their eightieth birthday.


Trivia


In 1999, National Public Radio included "Ain't That A Shame" in the NPR 100, in which NPR's music editors sought to compile the 100 most important American musical works of the 20th century.
A play on his name is the name of the gospel music group Fetz Domino, which means in mixed German and Latin "Groove for the Lord".
'50s blues singer Skinny Dynamo had a brief career.
Domino had 66 US Hot 100 chart hits. (James Brown had 99.)
Domino has always had strong links to The Beatles, who recorded a version of "When the Saints Go Marching In" in Germany, two years after Fats' version on Imperial Records. When they auditioned for Decca, one of their songs was another standard in Domino's repertory: "The Sheik of Araby".
In his song "I Want to Walk You Home", Domino used the words "I want to hold your hand" which may have inspired Lennon and McCartney when writing their song of the same title. In 1968, the Beatles modeled their song, "Lady Madonna", on Fats Domino's style, combining it with a nod to Humphrey Lyttelton's 1956 hit "Bad Penny Blues", a record which Joe Meek had engineered. They also played some hits of the 1950s and early 1960s, including Domino's "Kansas City", during the Get Back album sessions.
Domino returned the compliment in 1968 by covering not only "Lady Madonna", but two other Beatles songs, for his Reprise LP Fats Is Back. Since then, both John Lennon and Paul McCartney have recorded Fats Domino songs.
I Want to Walk You Home was used in two Public information films by the Irish Department of the Environment, highlighting the dangers of being distracted on roads.
Chubby Checker (Ernest Evans) got his stage name as a play on Fats Domino's name.
He appeared in a commercial for a brand of plastic food-storage bag. Various people had been shown holding and shaking these bags filled with various food items (including an obviously unhappy kid saying "shake, shake, shake--your spinach!"). At the end, Domino appears, in front of his piano, with such a bag containing blueberries. He sings, "shake, shake, shake your blueberries--on Blueberry Hill!"

References in popular culture

In the popular 1970s sitcom Happy Days, set in the 1950s, lead character Richie Cunningham (played by Ron Howard) would often sing "I found my thrill..." (the first line of Domino's "Blueberry Hill") in reference to pretty girls he dated or wanted to date.
The fictional girl band in the television series Rock Follies threatened to revolt if they had to sing "Blueberry Hill" one more time.
The American humor magazine Mad ran a cartoon spread that included fictitious artists with similar name variations, such as "Pudgy Parcheesi".
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Johnny Cash
From Wikipedia, the free encyclopedia

Background information

Also known as The Man in Black
Born February 26, 1932(1932-02-26)
Kingsland, Arkansas, U.S.
Died September 12, 2003 (aged 71)
Nashville, Tennessee, U.S.
Genre(s) Rock and roll
Folk
Blues
Gospel
Occupation(s) Singer-songwriter
Instrument(s) Vocals
Guitar
Piano
Harmonica
Mandolin
Years active 1955 - 2003
Label(s) Sun, Columbia,
Mercury, American, House of Cash
Associated acts The Tennessee Three,
The Highwaymen, Statler Brothers. Carter Family
Website www.JohnnyCash.com

Johnny Cash, born J. R. Cash, (February 26, 1932 - September 12, 2003) was a Grammy Award-winning American country singer-songwriter. Cash is widely considered to be one of the most influential American musicians of the 20th century.

Cash was known for his deep, distinctive voice, the boom-chick-a-boom or "freight train" sound of his Tennessee Three backing band, his demeanor, and his dark clothing, which earned him the nickname "The Man in Black". He traditionally started his concerts with the introduction "Hello I'm Johnny Cash."

Much of Cash's music, especially that of his later career, echoed themes of sorrow, moral tribulation, and redemption. His signature songs include "I Walk the Line", "Folsom Prison Blues", "Ring of Fire", "That Old Wheel" (a duet with Hank Williams Jr.), "Cocaine Blues", and "Man in Black". He also recorded several humorous songs, such as "One Piece at a Time", "The One on the Right Is on the Left", "Dirty Old Egg-Sucking Dog" and "A Boy Named Sue"; rock-and-roll numbers such as "Get Rhythm"; and various railroad songs, such as "Rock Island Line" and "Orange Blossom Special".

He sold over 90 million albums in his nearly fifty-year career and came to occupy a "commanding position in music history".[1]




Roots and early life

Johnny Cash was born J. R. Cash in Kingsland, Arkansas, to Ray and Carrie Cash, and raised in Dyess, Arkansas. His paternal ancester William Cash migrated to colonial Virginia in the late 1600s from Fife, Scotland [1]. At least two maternal ancestors were English, with John Alston arriving in Berkeley County, Virginia in the late 17th or early 18th century and Isaac Rivers to Chesterfield County, South Carolina in either the 18th or early 19th century [2].

Cash was reportedly given the name "J. R." because his parents could not agree on a name, only on initials. Giving children initials-only names, or a first name and middle initial only, was a common practice at the time. When he enlisted in the United States Air Force, the military would not accept initials as his name, so he adopted John R. Cash as his legal name. Then when signing with Sun Records in 1955, he took Johnny Cash as his stage name. His friends and in-laws generally called him John, while his blood relatives often continued to call him by his birth name, J. R.

Cash was one of seven children: Reba Hancock, Jack, Joanne Cash-Yates, Tommy, Roy, and Louise Cash Garrett. His younger brother Tommy Cash also became a successful country artist. By age five, J.R. was working in the cotton fields, singing along with his family as they worked.

The family farm was flooded on at least one occasion, which later inspired him to write the song Five Feet High And Rising.[2] His family's economic and personal struggles during the Depression shaped him as a person and inspired many of his songs, especially those about other people facing similar difficulties.

Cash was very close to his brother Jack, who was two years older. In 1944, Jack was pulled into a whirling table saw in the mill where he worked, and cut almost in two. He suffered for over a week before he died.[2] Cash often spoke of the horrible guilt he felt over this incident. According to Cash: The Autobiography, his father was away that morning, but he and his mother, and Jack himself, all had premonitions or a sense of foreboding about that day, and his mother urged Jack to skip work and go fishing with his brother. Jack insisted on working, as the family needed the money. On his deathbed, Jack said he had visions of Heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in Heaven. He wrote that he had seen his brother many times in his dreams, and that Jack always looked two years older than whatever age Cash himself was at that moment. It is widely thought that the dark side of his world view was shaped by this traumatic event.

Cash's early memories were dominated by gospel music and radio. Taught by his mother and a childhood friend, Johnny began playing guitar and writing songs as a young boy. In high school he sang on a local radio station. Decades later, he would release an album of traditional gospel songs, called My Mother's Hymn Book. Traditional Irish music that he heard weekly on the Jack Benny radio program, performed by Dennis Day, influenced him greatly.[3]

Cash enlisted in the United States Air Force. After basic training at Lackland Air Force Base and technical training at Brooks Air Force Base, both in San Antonio, Texas, Cash was assigned to a U.S. Air Force Security Service unit at Landsberg, Germany. Assigned as a morse code decoder on Russian Army transmissions, Cash was the first American to discover that Josef Stalin had died.[4]


First marriage

While in Air Force training in 1950, Cash met Vivian Liberto. A month after his discharge, on August 7, 1954, he and Vivian were married. They had four daughters: Rosanne (1955), Kathleen (1956), Cindy (1959), and Tara (1961). However, his constant touring and drug use put intense strain on his marriage, and they divorced in 1966.


Early career

In 1954, the couple moved to Memphis, Tennessee, where he sold appliances, while studying to be a radio announcer. At night, he played with guitarist Luther Perkins and bassist Marshall Grant. Perkins and Grant were known as the Tennessee Two. Cash worked up the courage to visit the Sun Records studio, hoping to get a recording contract. After auditioning for Sam Phillips, singing mostly gospel songs, Phillips told him to "go home and sin, then come back with a song I can sell." Cash eventually won over Phillips with new songs delivered in his early frenetic style. His first recordings at Sun, "Hey Porter" and "Cry Cry Cry," were released in 1955 and met with reasonable success on the country hit parade.

Cash's next record, Folsom Prison Blues, made the country Top 5, and "I Walk the Line" became No. 1 on the country charts, also making it into the pop charts Top 20. Following "I Walk the Line" was Johnny Cash's "Home of the Blues," recorded in July 1957. In 1957, Cash became the first Sun artist to release a long-playing album. Although he was Sun's most consistently best-selling and prolific artist at that time, Cash felt constrained by his contract with the small label. Elvis Presley had already left Sun, and Phillips was focusing most of his attention and promotion on Jerry Lee Lewis. The following year, Cash left the label to sign a lucrative offer with Columbia Records, where his single "Don't Take Your Guns to Town" would become one of his biggest hits.

In the early 60s, Cash toured with the Carter Family, which by this time regularly included Mother Maybelle's daughters, Anita, June and Helen. June later recalled admiring Johnny from afar, during these tours.


Outlaw Image

As his career was taking off in the early 1960s, Cash started drinking heavily and became addicted to amphetamines and barbiturates. For a brief time, he shared an apartment in Nashville with Waylon Jennings, who was heavily addicted to amphetamines. Cash used the uppers to stay awake during tours. Friends joked about his "nervousness" and erratic behavior, many ignoring the warning signs of his worsening drug addiction.


Although in many ways spiraling out of control, Cash's frenetic creativity was still delivering hits. His rendition of "Ring of Fire" was a crossover hit, reaching No. 1 on the country charts and entering the Top 20 on the pop charts. The song was written by June Carter and Merle Kilgore and originally performed by Carter's sister, but the signature mariachi-style horn arrangement was provided by Cash, who said that it had come to him in a dream. The song describes the personal hell Carter went through as she wrestled with her forbidden love for Cash (they were both married to other people at the time) and as she dealt with Cash's personal "ring of fire" (drug dependency and alcoholism).

Cash sometimes spoke of his erratic, drug-induced behavior with some degree of bemused detachment. In June 1965, his truck caught fire due to an overheated wheel bearing, triggering a forest fire that burnt several hundred acres in Los Padres National Forest in California. When the judge asked Cash why he did it, Cash said in his characteristically flippant style at the time, "I didn't do it, my truck did, and it's dead, so you can't question it."[2] The fire destroyed 508 acres (2.06 km²), burning the foliage off three mountains and killing 49 of the refuge's 53 endangered condors. Cash was unrepentant: "I don't care about your damn yellow buzzards." The federal government sued him and was awarded $125,127. Johnny eventually settled the case and paid $82,001. Cash said he was the only person ever sued by the government for starting a forest fire.[2]

Although Cash carefully cultivated a romantic outlaw image, he never served a prison sentence. Despite landing in jail seven times for misdemeanors, each stay lasted only a single night. His most infamous run-in with the law occurred while on tour in 1965, when he was arrested by a narcotics squad in El Paso, Texas. The officers suspected that he was smuggling heroin from Mexico, but it was prescription narcotics and amphetamines that the singer had hidden inside his guitar case. Because they were prescription drugs rather than illegal narcotics, he received a suspended sentence.


Johnny Cash and his second wife, JuneCash was also arrested on May 11, 1965, in Starkville, Mississippi, for trespassing late at night onto private property to pick flowers. (This incident gave the spark for the song "Starkville City Jail", which he spoke about on his live At San Quentin prison album.)

The mid 1960s saw Cash release a number of concept albums, including Ballads Of The True West (1965), an experimental double record mixing authentic frontier songs with Cash's spoken narration, and Bitter Tears (1964), with songs highlighting the plight of the Native Americans. His drug addiction was at its worst at this point, however, and his destructive behavior led to a divorce from his first wife and cancelled performances.

In 1967, Cash's duet with Carter, "Jackson", won a Grammy Award.

Cash quit using drugs in 1968, after a spiritual epiphany in the Nickajack Cave. June, Maybelle, and Eck Carter moved into Cash's mansion for a month to help him defeat his addiction. Cash proposed onstage to Carter at a concert at the London Gardens in London, Ontario on February 22, 1968; the couple married a week later in Franklin, Kentucky. June had agreed to marry Cash after he had 'cleaned up'. [5] Rediscovering his Christian faith, taking an "altar call" in Evangel Temple, a small church in the Nashville area, Cash chose this church over many larger, celebrity churches in the Nashville area because he said that there he was treated like just another parishioner and not a celebrity.


Folsom Prison Blues

While an airman in West Germany, Cash saw the B movie Inside the Walls of Folsom Prison (1951), which inspired him to write an early draft of one of his most famous songs, "Folsom Prison Blues"[citation needed].

Cash felt great compassion for prisoners. He began performing concerts at various prisons starting in the late 1950s.[2] These performances led to a pair of highly successful live albums, Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969).

The Folsom Prison record was introduced by a rendition of his classic "Folsom Prison Blues," while the San Quentin record included the crossover hit single "A Boy Named Sue," a Shel Silverstein-penned novelty song that reached No. 1 on the country charts and No. 2 on the U.S. Top Ten pop charts. The AM versions of the latter contained a couple of profanities which were edited out. The modern CD versions are unedited and uncensored and thus also longer than the original vinyl albums, though they still retain the audience reaction overdubs of the originals.

Apart from his performances at Folsom Prison and San Quentin and various other U.S. correctional facilities, Cash also performed at the ?-steråker Prison in Sweden in 1972. The live album På ?-steråker ("At ?-steråker") was released in 1973. Between the songs, Cash can be heard speaking Swedish, which was greatly appreciated by the inmates.


"The Man in Black"

From 1969 to 1971, Cash starred in his own television show, The Johnny Cash Show, on the ABC network. The singing group The Statler Brothers opened up for him in every episode. Other notable artists who appeared on his show included Neil Young, Louis Armstrong, James Taylor, Ray Charles and Bob Dylan.

Cash had met with Dylan in the mid 1960s and became closer friends when they were neighbors in the late 1960s in Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. Cash sang a duet with Dylan on Dylan's country album Nashville Skyline and also wrote the album's Grammy-winning liner notes.

Another artist who received a major career boost from The Johnny Cash Show was songwriter Kris Kristofferson. During a live performance of Kristofferson's "Sunday Mornin' Comin' Down," Cash made headlines[citation needed] when he refused to change the lyrics to suit network executives, singing the song with its references to marijuana intact: "On the Sunday morning sidewalks / Wishin', Lord, that I was stoned."

By the early 1970s, he had crystallized his public image as "The Man in Black." He regularly performed dressed all in black, wearing a long black knee-length coat. This outfit stood in contrast to the costumes worn by most of the major country acts in his day: rhinestone suit and cowboy boots. In 1971, Cash wrote the song "Man in Black" to help explain his dress code: "We're doing mighty fine I do suppose/In our streak of lightning cars and fancy clothes/But just so we're reminded of the ones who are held back/Up front there ought to be a man in black."

He and his band had initially worn black shirts because that was the only matching color they had among their various outfits.[2] He wore other colors on stage early in his career, but he claimed to like wearing black both on and off stage. He stated that, political reasons aside, he simply liked black as his on-stage color.[2] To this day, the United States Navy's winter blue service uniform is referred to by sailors as "Johnny Cashes," as the uniform's shirt, tie, and trousers are actually solid black in color.[6][7]

In the mid 1970s, Cash's popularity and number of hit songs began to decline, but his autobiography (the first of two), titled Man in Black, was published in 1975 and sold 1.3 million copies. A second, Cash: The Autobiography, appeared in 1997. His friendship with Billy Graham led to the production of a movie about the life of Jesus, The Gospel Road, which Cash co-wrote and narrated. The decade saw his religious conviction deepening, and he made many public appearances in an evangelical capacity.

He also continued to appear on television, hosting an annual Christmas special on CBS throughout the 1970s. Later television appearances included a role in an episode of Columbo. He also appeared with his wife on an episode of Little House on the Prairie entitled "The Collection" and gave a performance as John Brown in the 1985 Civil War television mini-series North and South.

He was friendly with every U.S. President starting with Richard Nixon. He was probably closest with Jimmy Carter, who became a very close friend[2]. None of these friendships were about politics (although he supported the Democratic Party). He stated that he found all of them personally charming, noting the fact that it was probably essential to getting oneself elected.[2]

When invited to perform at the White House for the first time in 1972, President Richard Nixon's office requested that he play "Okie from Muskogee" (a Merle Haggard satirical song about the people who disrespected the youthful drug users and war protesters) and "Welfare Cadillac" (a Guy Drake song that derides the integrity of welfare recipients). Cash declined to play either song and instead played a series of more left-leaning, politically charged songs, including "The Ballad of Ira Hayes" (about a brave Native-American World War II veteran who was racially mistreated upon his return to Arizona), and his own compositions, "What is Truth?" and "Man in Black." Cash claimed that the reasons for denying Nixon's song choices were not knowing them and having fairly short notice to rehearse them, rather than any political reason.[2]


Highwaymen

In 1980, Cash became the Country Music Hall of Fame's youngest living inductee at age forty-eight, but during the 1980s his records failed to make a major impact on the country charts, although he continued to tour successfully. In the mid 1980s, he recorded and toured with Waylon Jennings, Willie Nelson, and Kris Kristofferson as The Highwaymen, making two hit albums.

During this period, Cash appeared as an actor in a number of television films. In 1981, he starred in The Pride of Jesse Hallam. Cash won fine reviews for his work in this film that called attention to adult illiteracy. In 1983, Cash also appeared as a heroic sheriff in Murder In Coweta County, which co-starred Andy Griffith as his nemesis. This film was based on a real-life Georgia murder case. Cash had tried for years to make the film, for which he won acclaim.

Cash relapsed into addiction after a serious abdominal injury in 1983 caused by an unusual incident in which he was kicked and critically wounded by an ostrich he kept on his farm. He was administered painkillers as part of the recovery process, which led to a return to substance abuse.[8]

At a hospital visit in 1988, this time to watch over Waylon Jennings (who was recovering from a heart attack), Jennings suggested that Cash have himself checked into the hospital for his own heart condition. Doctors recommended preventive heart surgery, and Cash underwent double bypass surgery in the same hospital. Both recovered, although Cash refused to use any prescription painkillers, fearing a relapse into dependency. Cash later claimed that during his operation, he had what is called a "near death experience". He said he had visions of Heaven that were so beautiful that he was angry when he woke up alive.

Cash's recording career and his general relationship with the Nashville establishment were at an all-time low in the 1980s. He realized that his record label of nearly 30 years, Columbia, was growing indifferent to him and wasn't properly marketing him (he was "invisible" during that time, as he said in his autobiography). Cash recorded an intentionally awful song to protest, a self-parody. "Chicken in Black" was about Johnny's brain being transplanted into a chicken. Ironically, the song turned out to be a larger commercial success than any of his other recent material. Nevertheless, he was hoping to kill the relationship with the label before they did, and it was not long after "Chicken in Black" that Columbia and Cash parted ways.

In 1986, Cash returned to Sun Studios in Memphis to team up with Roy Orbison, Jerry Lee Lewis, and Carl Perkins to create the album Class of '55. This was not the first time he had teamed up with Lewis and Perkins at Sun Studios. On December 4, 1956, Elvis Presley dropped in on Phillips to pay a social visit while Perkins was in the studio cutting new tracks, with Lewis backing him on piano. Cash was also in the studio and the four started an impromptu jam session. Phillips left the tapes running and the recordings, almost half of which were gospel songs, survived and have been released on CD under the title Million Dollar Quartet. Tracks also include Chuck Berry's "Brown Eyed Handsome Man", Pat Boone's "Don't Forbid Me", and Elvis doing an impersonation of Jackie Wilson (who was then with Billy Ward and the Dominoes) singing "Don't Be Cruel".

In 1986, Cash published his only novel, Man in White, a book about Saul and his conversion to become the Apostle Paul. He also recorded Johnny Cash Reads The Complete New Testament in 1990.


American Recordings

After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with Mercury Records from 1987 to 1991 (see Johnny Cash discography).

In 1991, Cash sang lead vocals on a cover version of "Man in Black" for the Christian punk band One Bad Pig's album I Scream Sunday.

His career was rejuvenated in the 1990s, leading to popularity among a younger audience not traditionally interested in country music. In 1993, he sang the vocal on U2's "The Wanderer" for their album Zooropa. Although he was no longer sought after by major labels, Cash was approached by producer Rick Rubin and offered a contract with Rubin's American Recordings label, better known for rap and hard rock.

Under Rubin's supervision, he recorded the album American Recordings (1994) in his living room, accompanied only by his guitar. The album featured several covers of contemporary artists selected by Rubin and saw much critical and commercial success, winning a Grammy for Best Contemporary Folk Album. Cash wrote that his reception at the 1994 Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and surprising commercial success.

Cash and his wife appeared on a number of episodes of the popular television series Dr. Quinn, Medicine Woman starring Jane Seymour. The actress thought so highly of Cash that she later named one of her twin sons after him. He did a cameo in an episode of The Simpsons, playing the voice of a coyote that guides Homer on a spiritual quest. In 1996, Cash released a sequel to American Recordings, Unchained, and enlisted the accompaniment of Tom Petty and the Heartbreakers, which won a Grammy for Best Country Album. Cash, believing he did not explain enough of himself in his 1975 autobiography Man in Black, wrote another autobiography in 1997 entitled Cash: The Autobiography.


Illness and death

In 1997, Cash was diagnosed with the neurodegenerative disease Shy-Drager syndrome. The diagnosis was later altered to autonomic neuropathy associated with diabetes. This illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs. The albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002) contained Cash's response to his illness in the form of songs of a slightly more somber tone than the first two American albums. The video for "Hurt", generally recognized as 'his epitaph' [9], from American IV received particular critical and popular acclaim.

June Carter Cash died of complications following heart valve replacement surgery on May 15, 2003, at the age of seventy-three. June had told Cash to keep working, so he continued to record and even performed a couple of surprise shows at the Carter Family Fold outside Bristol, Virginia. (The July 5, 2003, concert was his final public appearance.) At the June 21, 2003, concert, before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage. He spoke of how June's spirit was watching over him and how she had come to visit him before going on stage. He barely made it through the song. Despite his health issues, he spoke of looking forward to the day when he could walk again and toss his wheelchair into the river near his home.

Less than four months after his wife's death, Johnny Cash died on September 12, 2003, while hospitalized at Baptist Hospital in Nashville, Tennessee. He was 71. He was interred next to his wife in Hendersonville Memory Gardens near his home in Hendersonville, Tennessee. Cash is survived by his children and 16 grandchildren.

On May 24, 2005, Vivian Liberto, Cash's first wife and the mother of Rosanne Cash, died from surgery to remove lung cancer. It was Rosanne Cash's fiftieth birthday.

In June 2005, his lakeside home on Caudill Drive in Hendersonville, Tennessee, went up for sale by the Cash estate. In January 2006, the house was sold to Bee Gees vocalist Barry Gibb and wife Linda Gibb and titled in their Florida limited liability company for $2.3 million. The listing agent was Cash's younger brother, Tommy Cash. The home was destroyed by fire on April 10, 2007.[10]

One of Johnny Cash's final collaborations with producer Rick Rubin, entitled American V: A Hundred Highways, was released posthumously on July 4, 2006. The album debuted in the #1 position on Billboard Magazine's Top 200 album chart the week ending July 22, 2006. American VI, an expected final release, has yet to be issued.


Legacy

From his early days as a pioneer of rockabilly and rock and roll in the 1950s, to his decades as an international representative of country music, to his resurgence to fame in the 1990s as a living legend and an alternative country icon, Cash influenced countless artists and left a large body of work. Upon his death, Cash was revered by the greatest popular musicians of his time.

Among Johnny Cash's children, his daughter Rosanne Cash (by first wife Vivian Liberto) and his son John Carter Cash (by June Carter Cash) are notable country-music musicians in their own right.

Cash nurtured and defended artists on the fringes of what was acceptable in country music even while serving as the country music establishment's most visible symbol. At an all-star TNT concert in 1999, a diverse group of artists paid him tribute, including Bob Dylan, Chris Isaak, Wyclef Jean, Norah Jones, Kris Kristofferson, Willie Nelson, and U2. Cash himself appeared at the end and performed for the first time in more than a year. Two tribute albums were released shortly before his death; Kindred Spirits contains works from established artists, while Dressed in Black contains works from many lesser-known artists.

In total, he wrote over a thousand songs and released dozens of albums. A box set titled Unearthed was issued posthumously. It included four CDs of unreleased material recorded with Rubin as well as a Best of Cash on American retrospective CD.

In recognition of his lifelong support of SOS Children's Villages, his family invited friends and fans to donate to that charity in his memory. He had a personal link with the SOS village in Diessen, at the Ammersee-Lake in Southern Germany, near where he was stationed as a GI, and also with the SOS village in Barrett Town, by Montego Bay near his holiday home in Jamaica. The Johnny Cash Memorial Fund was founded and contributions can be made here.

In 1999, Cash received the Grammy Lifetime Achievement Award. In 2004, Rolling Stone Magazine ranked Johnny Cash [11] #31 on their list of the 100 Greatest Artists of All Time.[12]

In a tribute to Cash after his death, country music superstar Gary Allan included the song "Nickajack Cave (Johnny Cash's Redemption)" on his 2005 album entitled Tough All Over. The song chronicles Cash hitting rock bottom and subsequently resurrecting his life and career.

For a period of time, there was a museum called the "House of Cash", but it is no longer in operation. Highway 31E, Hendersonville's Main Street, is known as "Johnny Cash Parkway".

On November 2 - November 4, 2007 the Johnny Cash Flower Pickin' Festival was held in Starkville, Mississippi, the city where Cash had been arrested over 40 years earlier and held overnight at the city jail on May 11, 1965, inspiring Cash to write the song "Starkville City Jail". The festival, where he was offered a symbolic posthumous pardon, honored Cash's life and music, and is expected to become an annual event.[13]


Portrayals

In 1998, country singer Mark Collie portrayed Cash for the first time in a short film, "I Still Miss Someone". Shot mostly in black and white, it attempts to capture a moment in time for Cash during his darkest years, the mid 1960s.

Walk the Line, an Academy Award-winning biopic about Johnny Cash's lifetime starring Joaquin Phoenix as Johnny Cash and Reese Witherspoon as June Carter Cash (for which she won the 2005 Best Actress Oscar), was released in the U.S. on November 18, 2005 to considerable commercial success and great critical acclaim. Both Phoenix and Witherspoon have won various other awards for their roles, including the Golden Globe for Best Actor in a Musical or Comedy and Best Actress in a Musical or Comedy, respectively. They both performed their own vocals in the film, and Phoenix learned to play guitar for his role as Johnny Cash. Phoenix received the Grammy Award for his contributions to the Walk the Line soundtrack.

Ring of Fire, a jukebox musical of the Cash oeuvre, debuted on Broadway on March 12, 2006 at the Ethel Barrymore Theatre, but closed due to harsh reviews and disappointing sales on April 30, 2006.

Walk Hard: The Dewey Cox Story, a comedy film parodying biopic films such as Walk the Line and Ray (film), is a close parody of Cash's life and the way he was portrayed in Walk the Line.


Heritage

Cash was completely of Scottish heritage, but he learned this only upon researching his ancestry. After a chance meeting with former Falkland laird, Major Michael Crichton-Stuart, he traced the Cash family tree to eleventh century Fife, Scotland.[14][15]

He had believed in his younger days that he was mainly Irish and partially Native American (he had been told he was one-quarter Cherokee). Even after learning he had no Native American ancestry, Cash's empathy and compassion for Native Americans was unabated. These feelings were expressed in several of his songs, including Apache Tears and The Ballad of Ira Hayes, and on his album, Bitter Tears.


Lists of accomplishments


Cash received multiple Country Music Awards, Grammys, and other awards, in categories ranging from vocal and spoken performances to album notes and videos.

In a career that spanned almost five decades, Cash was the personification of country music to many people around the world. Cash was a musician who was not tied to a single genre. He recorded songs that could be considered rock and roll, blues, rockabilly, folk, and gospel, and exerted an influence on each of those genres. Moreover, he had the unique distinction among country artists of having "crossed over" late in his career to become popular with an unexpected demographic, young indie and alternative rock fans. His diversity was evidenced by his presence in three major music halls of fame: the Nashville Songwriters Hall of Fame (1977), the Country Music Hall of Fame (1980), and the Rock and Roll Hall of Fame (1992). Only thirteen performers are in both of the last two, and only Hank Williams Sr., Jimmie Rodgers, and Bill Monroe share the honor with Cash of being in all three. However, only Cash was inducted into the Rock and Roll Hall of Fame in the regular manner, unlike the other country members, who were inducted as "early influences." His pioneering contribution to the genre has also been recognized by the Rockabilly Hall of Fame[16]. He received the Kennedy Center Honors in 1996. Cash stated that his induction into the Country Music Hall of Fame in 1980 was his greatest professional achievement.

In 2007 Johnny Cash was inducted into the Hit Parade Hall of Fame[17].
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 26 Feb, 2008 01:24 pm
Michael Bolton
From Wikipedia, the free encyclopedia

Background information

Birth name Michael Bolotin
Born February 26, 1953 (1953-02-26) (age 55)
Origin New Haven, Connecticut
Genre(s) Pop music
Pop rock
Occupation(s) Singer-songwriter
Instrument(s) vocals, guitar
Voice type(s) Tenor
Years active 1968-present
Associated acts Blackjack
Website MichaelBolton.com

Michael Bolton (born Michael Bolotin on February 26, 1953), is an American singer-songwriter, known for his soft rock ballads and tenor vocals.

His achievements include selling 53 million albums, eight top ten albums, two number one singles on the Billboard charts, and awards from both the American Music Awards and Grammy Awards.





Early life

Bolton was born in 1953 to a Jewish family in New Haven, Connecticut. The youngest of three children, he received his first record label contract at the age of 15.


Mainstream success

Bolton's hard rock band, Blackjack, once toured with heavy metal singer Ozzy Osbourne. He began recording as Michael Bolotin in 1983, after gaining his first major hit as a songwriter, co-writing "How Am I Supposed to Live Without You" for Laura Branigan, previously best-known for singing the disco-pop classic "Gloria". Narrowly missing the pop Top 10, Branigan took the song to number one on the Adult Contemporary charts for three weeks. The two sought to work with each other again, and their next of several associations was when Bolton co-wrote "I Found Someone" for Branigan in 1985. Her version was only a minor hit, but two years later, Cher resurrected the song, and with it her own singing career. Bolton co-wrote several other songs for both singers.

Bolton would achieve his greatest success in the late eighties and early nineties as a singer in the adult contemporary/easy listening genre. One his first major hits was his 1987 interpretation of the Otis Redding classic, "(Sittin' On) the Dock of the Bay." Always interested in soul and Motown classics, Bolton's success with that song encouraged him to tackle the standard "Georgia On My Mind," with which he had another hit. Most of Bolton's recordings are original material, however, and he has also written songs for such artists as Barbra Streisand, Kenny Rogers, Kenny G, Peabo Bryson and Patti LaBelle. Bolton's early songwriting collaborators included Doug James and Mark Mangold, and as his fame grew he began to cowrite with higher-profile writers such as BabyFace, Diane Warren, and Bob Dylan. As a singer, he has performed with Plácido Domingo, Luciano Pavarotti, José Carreras, Lucia Aliberti, Renée Fleming, Zucchero, Patti LaBelle, Céline Dion, Ray Charles, Percy Sledge, Wynonna Judd, and BB King.

In March 2007, Bolton toured South Africa for the first time. He was the headline act at Jacaranda 94.2 FM's two day concert.

Bolton recorded the song "New York, New York" (also on his Bolton Swings Sinatra album), for an album which was recorded in five days, Over the Rainbow. This was for an episode of the TV series, Challenge Anneka. The proceeds from the album went to children's hospices across the UK.


Appearances in other media

Bolton appeared as an extra in the theatrical release of Frank Herbert's "Dune," featuring Sting and Kyle McLachlan. In their final fight scene, he appears as a "spice-eyed" drummer.

In a scene from the 1999 film Office Space, a character named Michael Bolton (a computer programmer) makes disparaging remarks about the singer. When asked about this scene in an interview, the real-life Bolton replied that he has never seen the film but has autographed many copies of the DVD.[1]

In December 2007, Bolton took part in NBC's Clash of the Choirs. He lead "Team Bolton." However, they were eliminated in the second round.


Personal life

Bolton is the father of three daughters (Isa, Holly and Taryn) born during his 1975-1990 marriage to Maureen McGuire. Between 1993 and 1995, he dated Knots Landing actress Nicollette Sheridan. A decade later, the couple resumed their relationship. In late February 2006, Bolton announced that he and Sheridan were engaged.[2] Bolton stated in a subsequent Larry King interview that he and Sheridan have not yet married though the two have been living as a married couple. They have yet to set a date for their wedding.[citation needed].


Charity work

In 1993, he established the Michael Bolton Foundation (now the Michael Bolton Charities) to assist women and children at risk from the effects of poverty and emotional, physical, and sexual abuse. The foundation has provided over $3.7 million in funding to local and national charities.

Bolton also serves as the honorary chairman of Prevent Child Abuse America, the national chairman for This Close for Cancer Research, and a board member for the National Mentoring Partnership and the Joe DiMaggio Children's Hospital.

In March 2003, Bolton joined with Lifetime Television, Verizon Wireless, and many others to lobby on behalf of the National Coalition Against Domestic Violence, urging legislation to provide more assistance for victims of domestic violence, such as affordable housing options.

Bolton has received the Lewis Hine Award from the National Child Labor Committee, the Martin Luther King Award from the Congress of Racial Equality, and the Ellis Island Medal of Honor from the National Ethnic Coalition of Organizations. The Hollywood Chamber of Commerce also recognized Bolton with a star on the "Walk of Fame" for his musical and charitable contributions.
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 26 Feb, 2008 01:26 pm
A Girl and her mirror

Mirror, mirror on the wall,
Do you have to tell it all?

Where do you get the glaring right
To make my clothes look just too tight?

I think I'm fine but I can see
you won't co-operate with me;

The way you let the shadows play,
You'd think my hair was getting grey

What's that, you say? A double chin?
No, that's the way the light comes in;

If you persist in peering so,
You'll confiscate my facial glow,

And then if you're not hanging straight,
You'll tell me next I'm gaining weight;

I'm really quite upset with you,
For giving this distorted view;

I hate you being smug and wise...
O, look what's happened to my thighs!

I warn you now, O mirrored wall,
Since we're not on speaking terms at all,

If I look like this in my new jeans,
You'll find yourself in smithereens!!
0 Replies
 
Letty
 
  1  
Reply Tue 26 Feb, 2008 02:07 pm
Great bio's today, Bob, and thanks for the mirror song. Unfortunately, it's too true to be humorous, hawkman.

Well, folks, we all remember Joaquin Phoenix as Johnny Cash so let's do this one as a living memory.

http://pop.youtube.com/watch?v=TorhyIlOuAk
0 Replies
 
RexRed
 
  1  
Reply Tue 26 Feb, 2008 03:07 pm
Family Man

She had sulky smile
She took her standard pose as she presented herself
She had sultry eyes, she made it perfectly plain that she was his
For a price

But he said leave me alone, Im a family man
And my bark is much worse than my bite
He said leave me alone, Im a family man
But if you push me too far I just might

She wore hurt surprise as she rechecked her make-up to protect herself
Dropped her price and pride she made it totally clear that she was his
For a night

She gave him her look, it would have worked on any other man around
He looked her up and down, she knew he couldnt decide if he should
Hold his ground

She turned, tossed her head unlike her opening move, her final exit line
He waited much too long but by the time he got his courage up she was gone
Then he screamed leave me alone, Im a family man
And my bark is much worse than my bite
He said leave me alone, Im a family man
But if you push me too far, I just might

Hall and Oats
K. cross/r. fenn/m. frye/m. oldfield
M. pert/m. reilly


http://youtube.com/watch?v=cQdu4UOCUZc
0 Replies
 
Letty
 
  1  
Reply Tue 26 Feb, 2008 04:04 pm
Hey, Rex. That's one of those "can't sit still songs", Thanks, Maine.

Well, listeners, your PD won't be sitting still for another reason. Severe storms are predicted to sweep through my area, so I will be off the air for a bit.

In the meantime, here's an interesting song that relates to Victor Hugo and the gypsy Esmerelda.

http://www.youtube.com/watch?v=LqaomaGGo9s
0 Replies
 
Raggedyaggie
 
  1  
Reply Tue 26 Feb, 2008 04:46 pm
Hoping those storms will change their mind, Letty, and that all will be well with you. Take care.

Bob's bios:

Victor Hugo; Buffalo Bill; William Frawley; Madeleine Carroll; Dub Daylor; Jackie Gleason; Tony Randall; Betty Hutton; Fats Domino; Johnny Cash and Michael Bolton

http://wikis.lib.ncsu.edu/images/7/7c/Victor_Hugo.jpghttp://www.grandfathersspirit.com/cards/125BuffaloBill.jpg
http://www.fredsociety.com/images/mertz.jpghttp://newsimg.bbc.co.uk/media/images/41266000/jpg/_41266963_madcarroll203.jpghttp://www.williamsmith.org/image35V.JPG
http://entimg.msn.com/i/150/Movies/Actors3/Gleason_WM188290014_150x200.jpghttp://mywebsite.register.com/db2/00188/tonyrandalltheatricalfund.org/_uimages/tony_01.jpghttp://www.lyred.com/covers/betty_hutton_-_blonde_bombshell_.jpg
http://nolafugees.com/NF/images/stories/FatsDomino.jpghttp://www.concurringopinions.com/archives/johnny-cash-01.jpghttp://newman1971.files.wordpress.com/2007/12/michael-bolton-bolton-swings-sinatra.jpg
0 Replies
 
edgarblythe
 
  1  
Reply Tue 26 Feb, 2008 06:04 pm
Sportsmen Quartet (off the Jack Benny Show)
Hum Song

http://www.youtube.com/watch?v=uQIk4UCoBmQ
0 Replies
 
Letty
 
  1  
Reply Tue 26 Feb, 2008 06:29 pm
Well, it's dark and it's quiet, and the lights are still on so I guess I can comment, y'all.

Raggedy, great montage, PA. Thanks for your concern and the photo's.

edgar, I liked the sound of the Sportmen's humming. Really, Texas, they are good and that was a cute song. Thanks

Finally, all. I found a Romanian song and I think that means we will have covered all of the Romance languages. Appropriate title as well because the smell of ozone is in the air.
0 Replies
 
Letty
 
  1  
Reply Tue 26 Feb, 2008 06:31 pm
Oops. Here is the song.

http://www.youtube.com/watch?v=qfiVc0X9Ewc&feature=related
0 Replies
 
hamburger
 
  1  
Reply Tue 26 Feb, 2008 07:12 pm
good evening , listeners !

been fooling around on youtube and came across one of my favourite pieces of music - though i do have others ! Laughing

i have a 2 cd-set of the "barber" from the metropolitan opera that covers performances from 1905 (a little scratchy) to 1987 (rockwell blake) .
i just love listening to it and i hope you do too !
hbg

http://youtube.com/watch?v=eyhuIC1sxJY&feature=related


is the power back on in florida ?
0 Replies
 
Letty
 
  1  
Reply Tue 26 Feb, 2008 07:40 pm
hbg, you have a wealth of wonderful music, buddy. Loved the Figaro video. One of my favorites as well.

There were two points of concern here in the Sunshine State.

Power back on after outages hit Fla.
By JESSICA GRESKO, Associated Press Writer 1 hour, 10 minutes ago
MIAMI - A relatively minor glitch in Florida's electrical grid somehow triggered a chain reaction Tuesday that caused a nuclear plant to shut down and briefly cut power in patches from Daytona Beach through the Florida Keys.

All is well for the present, but when the word "nuclear" pops up, everyone shivers.

In other words, here is a great trio concerning the weather.

http://www.youtube.com/watch?v=SwFU_FouaOk
0 Replies
 
hamburger
 
  1  
Reply Tue 26 Feb, 2008 08:17 pm
glad to hear that the power is back on , letty !

that's a great song - and quite appropriate : IT IS SNOWING HERE - but only very lightly .
the winter is hanging - overnight temps will be BELOW freezing for at least another week - but some sunshine is on the way !

keepin' warm with something EYTALIAN Laughing .
greetings from the northpole ! Shocked
hbg


http://www.youtube.com/watch?v=iVtbhcVpa3s&feature=related
0 Replies
 
 

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