Subpoenas Sent to File-Sharers Prompt Anger and Remorse
By AMY HARMON
A blizzard of subpoenas from the recording industry seeking the identities of people suspected of illegally swapping music is provoking fear, anger and professions of remorse as the targets of the antipiracy dragnet learn that they may soon be sued for hundreds of thousands of dollars in damages.
The Recording Industry Association of America has obtained close to 1,000 such subpoenas over the last four weeks to more than a dozen Internet service providers, including Verizon, Comcast and Time Warner Cable, and several universities, including Boston College and the Massachusetts Institute of Technology, demanding the names of file swappers. Most Internet providers are notifying the unlucky subscribers by mail that they are legally required to turn over their contact information.
Those on alert include several college students, the parents of a 14-year-old boy in the Southwest, a 41-year-old Colorado health care worker and a Brooklyn woman who works in the fashion industry.
"They could have used some other way to inform people than scaring the bejiminy out of them," said a mother who received a copy of the subpoena last Wednesday, listing several songs that her 14-year-old son had made available for others to copy from his computer. "If someone had sent me a letter saying `this is wrong,' you can bet your sweet potatoes that would have gotten my attention. This just seems so drastic."
The ominous letters and a list of screen names culled from court filings that is circulating on the Web underscore the unusually personal nature of the industry's latest effort to stamp out online piracy, which it blames for a 25 percent drop in sales of CD's since 1999. Under copyright law, the group can be awarded damages of $750 to $150,000 for each copyrighted song that was distributed without authorization.
Some of the targeted Internet users expressed shock that they were singled out for an activity that tens of millions of Americans are believed to engage in. Others said they were unaware they were doing anything wrong. Most of those interviewed refused to be identified by name, citing privacy concerns and the potential impending legal action against them.
The mother of the 14-year-old boy said she had assumed that her son's file-swapping was all right because she knew that Napster, the company that drove the original wave of online music piracy, had been shut down after the record companies sued. Any other company whose software is used by so many of her son's friends, she reasoned, must have done something different to be allowed to continue operating.
After receiving a copy of the subpoena in the mail on Wednesday, the mother said she did some research and learned that though the software itself might be legal, the way her son was using it was almost certainly not. The 150 songs her son had on his computer have been deleted, along with his computer privileges for the rest of the summer.
"We've had extensive discussions about why it was wrong, and how it's kind of like plagiarism, taking someone else's words or someone else's music and not giving them credit for it," she said. She added that her son stayed in his room all day, while her older daughter worried that her parents would not be able to pay for college next year.
The notion of paying up to $150,000 for each of the eight songs that the recording industry listed on the subpoena ? not to mention lawyer fees of $200 an hour should the family decide to fight a lawsuit ? still boggles her mind. "Hopefully when they find out he's just a kid, they'll drop it," she said.
But not necessarily. Frustrated with the failure of warnings and educational campaigns to stem the flood of online music trading, the major music companies said on June 25 that they intended to sue hundreds of individuals as a form of deterrence.
"I guess people didn't take it seriously, but we really are very serious about this," said Cary Sherman, president of the Recording Industry Association of America. "We want the message to get across to parents that what their kids are doing is illegal. We are going to file lawsuits."
The popularity of file-sharing software, which allows users to copy music, movies and other files from one another's computers, has long benefited from a sense of impunity among users. By tearing away the Internet's veil of anonymity, the record industry hopes to scare people away from using the software and crack a cultural consensus that tends to regard file-sharing as a guilt-free activity.
Before pursuing individuals, the association sponsored antipiracy television and radio commercials; sent four million instant messages warning people using KaZaA, the most popular file-sharing software, that they were violating copyright law; and published an advertisement in The New York Times and Entertainment Weekly that began, "Next time you or your kids `share' music on the Internet, you may also want to download a list of attorneys."
The music industry also tried suing the makers of the software that succeeded Napster. But in April, a federal judge in Los Angeles ruled that two peer-to-peer systems, Morpheus and Grokster, were legal even though people used them to make illegal copies of music and movies. Music executives said they were left with little choice but to pursue the users themselves.
As news of the subpoenas spread across the Internet in recent days, many file-swappers, who often rationalize their behavior by arguing that CD's are too expensive and the record industry does not deserve their money, responded with defiance.
A spoof cartoon was widely circulated, set to the tune of the 1980's hit "We Are the World" and with the lyrics, "Sue all the world/Sue all the children." On sites like Zeropaid .com, a hub of information for file-sharing, discussion board participants vowed to boycott major record labels and called on people outside the United States ? and the restrictions of United States copyright law ? to share more files.
But many file-swappers also expressed alarm. Jorge Gonzalez, the founder of Zeropaid, said some who posted discussion board messages planned to stop file-trading altogether. Many rushed to check a list, initially published on TechTV's Web site, of the KaZaA screen names cited in the subpoenas filed in the Federal District Court in Washington.
Several lawyers said the record industry probably had a good legal case. "It's pretty well settled that it is infringing copyright to share files without permission of the copyright holder," said Jonathan Zittrain, a director of the Berkman Center for Internet and Society at Harvard Law School.
Still, some legal experts argue that the tactic is risky, particularly if the industry appears to be concentrating on families with no resources to defend themselves.
"The practice of filing thousands of lawsuits is a game of chicken, and not a sustainable model for the industry or the courts," Mr. Zittrain said. "The overall puzzle for the industry is how to truly convince the public that this is in the public interest."
He said there was no obvious historical analogue to the scattershot subpoenaing of individuals in copyright law enforcement, which has traditionally been aimed at businesses or people who are profiting from illegally copied material. He likened it instead to raids during Prohibition, or red-light cameras that catch drivers disobeying traffic laws when they think they are unobserved. Both have given rise to social outcry, Mr. Zittrain said, even though they were used simply to enforce the law.
Citing the privacy and due process rights of its subscribers, Verizon Communications has appealed a federal court decision that compels Internet service providers to turn over subscriber information without first requiring copyright holders to file a lawsuit. The company said at least one of the subscribers it notified last week had hired a lawyer and was planning to challenge the recording industry's subpoena.
The Massachusetts Institute of Technology and Boston College have declined to comply with subpoenas they received, citing procedural concerns and their responsibility to protect student privacy under the Family Educational Rights and Privacy Act.
Some lawyers who were contacted by people who received notices from their Internet providers say the cases raise many questions because of the way the software in question works.
Some versions of KaZaA automatically designate certain folders on a computer as "shared," so users may not have realized their personal music files, copied from legally purchased CD's, were available to others.
Daniel N. Ballard, a lawyer with McDonough, Holland & Allen in Sacramento, Calif., said he was representing a Brooklyn woman who believed she had prevented her files from being accessible to the KaZaA network. He said computer intruders may have rearranged the files on his client's hard drive without her knowledge.
Some say they were unaware that they were doing anything against the law.
"My daughter would never have used her name as her e-mail address if she thought she was doing anything wrong," said Gordon Pate of Dana Point, Calif., who said an Associated Press reporter found him through the telephone directory after his 23-year-old daughter's screen name, leahpate@kazaa, appeared in the court filings last week. (Most were more along the lines of "anon39023" and "RockOn182.")
But a Colorado man said he knew what he was doing was illegal; he had just not seriously considered the consequences.
"I used the program," said the man, 41, who used KaZaA to find songs that included the words "happy birthday" to play for his young daughter when she woke up on her birthday, among other times.
"It's cute, but look what happened," he said. "It's an expensive birthday, that's the reality."
And thirdly, I'm in the music industry. Pay-for-play in this global economy is here to stay. The more forward-thinking artists and recording companies use this to their advantage. The Big Five whine and moan and wither because they don't like losing that "ceo-size" paycheck, and artists tied into longterm contracts with them whine and moan and whither because if they don't sell "x" number of CDs they will not turn a profit under the ridiculous contracts they have agreed to.
A "good" recording contract in the industry is something in the range of 20% of 90% of the retail prices after one-time costs (and other negotiables like that limo to the premier of your girlfriend's new movie) have been recouped. But the typical contract is around 5% of 90%...
Only the top 300 or so artists in America who record for the Big Five make money. The rest are happy to break even and pay for office space. It's the recording companies that make out like bandits. The shelf-life of a standard recording is usually five years (a lot of contracts are based on this), after which time the product (and the artist) slip out of mega-revenue territory.
Consumers, and the savvier indie label folks recognize that to a certain extent, mp3s and pay-per-play capabilities allow the artist to reap more substantial rewards than they would get through traditional markets. So there is a move toward self-governance of their intellectual property via distribution, song by song, on the internet. No one is stupid enough to believe that piracy will not take place, but if the indies and their artists control the initial downloads, they're at least making a heftier profit than they would have made through one of the Big Five distributors. And it sure beats finding millions of copies of your CD burned by some little sweatshop in Taiwan flooding a music-starved Asia and Southeast Asia, where the ruminated industry comparison is roughly 100% legitimate CD sales to 300% bootleg CD sales.
In 20 years CDs will dwindle the way vinyl did, and mp3's will proliferate. Recording companies and publishing companies will own the pay-to-play sites (Napster is a good example of this/bad example of this), millions of bootleg copies will go out over the internet or snail mail on burned CDs, and there is not a damned thing anyone can do about it because, throughout history, art has been bootlegged and music is, quite basically, art.
The best bootlegging belongs to the artists themselves. We've all heard the one about Paul Simon concocting "Graceland" from a bootleg recording. There is an illegal copy of a Hawaii show with the Rolling Stones back in the '60's where the sound engineer taped the show, sent the tracks out of the country and it is now available as an import in America...go figure. Artists burn their own CDs with selected cuts, then send these out to family and friends, and you can bet your bippie they didn't pay a cent to do it.
What is truly hurting the Big Five is that artists like Madonna have their own recording companies these days and only use the conglomerates as distribution points. The profit margin drops by 80-85%, so the Big Five are now making...eh, around $1.50 per unit. Good for Madonna, I say.
It used to be that artists toured to support the sale of their records. The tide has turned on that point and now many artists record to support their tour. If bootleg recordings, therefore, drive more people into $125 seats for live shows, the artist is not doing too badly. I'm not worried too much on their account, frankly.
So while yes, theft is theft, at least in the recording industry it isn't exactly. Just like morals, politics and bad press.
The artists who truly suffer are writers/photographers/fine artists/etc. It is illegal to pilfer published works (in any medium) and attach them to emails without permission. Since these folks don't usually "gig," they get no compensation in any form from illegal distribution. And how many emails have we all received where the message starts, "I found this (insert adjective here) and thought you might enjoy it..."
Anyway, that's my rant (laugh). I'm in total agreement with you about KaZaa
In my opinion, this isn't a new phenomenon that was initiated by the internet. The music industry has had this problem for far longer then that. Remember when we were kids and would tape record our favorite songs from the radio or a favorite album and pass them along to friends?
The only difference is that the music industry has recognized the internet and IP providers as a way to audit and profit from this activity.
Posted on Thu, Jul. 31, 2003
Senator launches investigation into RIAA piracy crackdown
FREDERIC J. FROMMER
Associated Press
WASHINGTON - The chairman of the Senate's permanent subcommittee on investigations Thursday began an inquiry into the music industry's crackdown against online music swappers, calling the campaign "excessive."
"Theft is theft, but in this country we don't cut off your arm or fingers for stealing," said Sen. Norm Coleman, a Minnesota Republican who was a rock roadie in the 1960s.
The Recording Industry Association of America announced plans in June to file several hundred lawsuits against people suspected of illegally sharing songs on the Internet. Copyright laws allow for damages of $750 to $150,000 for each song.
In a letter to RIAA President Cary Sherman, Coleman criticized the group for issuing subpoenas to "unsuspecting grandparents whose grandchildren have used their personal computers" and others who may not know their computer is being used to download music.
"The industry seems to have adopted a 'shotgun' approach that could potentially cause injury and harm to innocent people who may simply have been victims of circumstance, or possessed a lack of knowledge of the rules related to digital sharing of files," Coleman wrote.
He asked the RIAA to furnish him with a list of its subpoenas; its safeguards against invading privacy and making erroneous subpoenas; its standards for issuing subpoenas; and a description of how it collects evidence of illegal file sharing.
"I recognize the very legitimate concerns about copyright infringement," Coleman said in a conference call with reporters. "This is theft. But I'm worried that the industry is using a shotgun approach."
The RIAA said it would be "pleased" to provide Coleman the information he requested.
"It will confirm that our actions are entirely consistent with the law as enacted by the U.S. Congress and interpreted by the courts," the RIAA said in a statement issued to The Associated Press.
The RIAA defended its enforcement campaign as "an appropriate and measured response to the very serious problem of blatant copyright infringement confronting the entire music community."
In the conference call, Coleman acknowledged that he used to download music from Napster, the file-sharing service that a federal judge shut down for violating music copyrights.
"I must confess, I downloaded Napster, and then Napster was found to be the wrong thing," he said. "I stopped."
The consumer group Public Knowledge, which has challenged broad crackdowns on file-sharing networks, praised Coleman's effort.
"We're delighted to have a friend in the Senate who thinks the recording industry's actions are a little bit outrageous," said the group's president, Gigi Sohn. "It's about time people on the Hill started asking questions about the recording industry's tactics."
ON THE NET
Recording Industry Association of America: http://www.riaa.com/
Subcommittee on investigations: http://govt-aff.senate.gov/psi.htm
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Frederic J. Frommer can be reached at ffrommer(at)ap.org
SBC Sues to Halt Music Industry Subpoenas
Thu July 31, 2003 06:41 PM ET
By Andy Sullivan
WASHINGTON (Reuters) - SBC Communications Inc. SBC.N . said on Thursday it had filed suit to stop a flood of recording-industry court orders that seek to track down Internet users who might be illegally copying music.
SBC subsidiary Pacific Bell Internet Services sued the Recording Industry Association of America in federal court in San Francisco, saying the music industry trade group has been overzealous in its pursuit of suspected song-swappers.
The RIAA has issued more than 1,000 subpoenas to SBC and other Internet providers over the past few weeks, seeking to find the names of those who use "peer to peer" services like Kazaa and Morpheus to copy music, movies and other files from each others' hard drives for free.
The trade group says a digital-copyright law requires Internet provider to comply, and a federal court in Washington agreed this spring.
But an SBC spokesman said that ruling has opened the floodgates to hundreds of questionable subpoenas from anybody who claims that their copyrighted material is being illegally distributed.
Pac Bell has received 207 requests from the music industry to turn over the names of some of its customers, one request from a pornography company for the identities of 59 customers, and more than 16,000 warnings from an independent copyright investigator, the company said in its suit.
"The action we are taking is intended to protect the privacy rights of our customers," SBC spokesman Larry Meyer said.
"It's about the fact that anyone can without any effort obtain one of these DMCA subpoenas," said Meyer, referring to the 1998 Digital Music Copyright Act.
The RIAA said it had already settled such questions in a court battle with Verizon Communications VZ.N earlier this year. Verizon is currently appealing that decision.
"Pac Bell is simply recycling many of the same arguments already raised and twice rebutted by a federal court," an RIAA official said. "It's unfortunate that they have chosen to litigate this, unlike every other ISP (Internet service provider) which has complied with their obligations under the law."
Meyer said the Verizon decision only contemplated whether the subpoenas should be issued or not and did not address how they should be handled. For example, the RIAA has filed all its subpoenas in Washington even though Pac Bell is based in California, he said.
Also named in the suit were San Francisco pornography firm Titan Media and copyright investigator MediaForce.
RIAA members include AOL Time Warner Inc.'s AOL.N Warner Music; Sony Corp.'s 6758.T Sony Music; Vivendi Universal's EAUG.PA V.N Universal Music Group; Bertelsmann AG's BERT.UL BMG; and EMI Group Plc EMI.L .
So, does the whole argument in favor of stealing come down to "It's easy to do?"
I have myself used Kazaa, but I paid a subscription of like $20, or close to... I haven't used Kazaa in a long time, but I thought it was ok to use these services if you were a paying subscriber? Can I still be sued?
Hi, I have a question. I remember back when many people were sued for using Napster. I have myself used Kazaa, but I paid a subscription of like $20, or close to... I haven't used Kazaa in a long time, but I thought it was ok to use these services if you were a paying subscriber? Can I still be sued?