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Book recommendations requested for leisure reading

 
 
Gala
 
Reply Thu 22 Dec, 2005 08:49 am
Hello, does anyone have any book recommendations for entertaining lighter reading? I'd appreciate all suggestions. Thanks, Gala
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Type: Discussion • Score: 1 • Views: 1,834 • Replies: 35
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DrewDad
 
  1  
Reply Thu 22 Dec, 2005 08:51 am
The Stand
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Green Witch
 
  1  
Reply Thu 22 Dec, 2005 08:55 am
Can you give us more of an idea of what you might be interested in? Comtemporary, classics, murder/mystery, romance, suspense, scifi, history, biography, etc.?
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boomerang
 
  1  
Reply Thu 22 Dec, 2005 08:55 am
What kind of books do you typically like, Gala?
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shewolfnm
 
  1  
Reply Thu 22 Dec, 2005 09:04 am
Fall on your knees

Ann-Marie McDonald
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DrewDad
 
  1  
Reply Thu 22 Dec, 2005 09:16 am
shewolfnm wrote:
Fall on your knees

Ann-Marie McDonald

"Lighter reading" shewolf, not pornography.
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Gala
 
  1  
Reply Thu 22 Dec, 2005 09:16 am
ok, let's see... the recent Janet Evonovich 11 on Top was a hoot, much better then the last one.

i like mystery, humor, romance, biography, history, but Not Sci Fi.

i read a serious book--Just finished John Fowles the Magus and am looking for something humorous, lighter, but somewhat enlightening as well.

i hope that helps with the description...
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Gala
 
  1  
Reply Thu 22 Dec, 2005 09:22 am
ha, that's funny DrewDad. shewolfs suggestion is on my list. thanks!
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boomerang
 
  1  
Reply Thu 22 Dec, 2005 09:29 am
Right now I'm reading "The Egyptologist" and liking it very much.

Quote:
THE EGYPTOLOGIST by Arthur Phillips

From the bestselling author of Prague comes a witty, inventive, brilliantly constructed novel about an Egyptologist obsessed with finding the tomb of an apocryphal king. This darkly comic labyrinth of a story opens on the desert plains of Egypt in 1922, then winds its way from the slums of Australia to the ballrooms of Boston, by way of Oxford, the battlefields of the First World War, and a royal court in turmoil.

Just as Howard Carter unveils the tomb of Tutankhamun, making the most dazzling find in the history of archaeology, Oxford-educated Egyptologist Ralph Trilipush is digging himself into trouble, having staked his professional reputation and his fiancée's fortune on a scrap of hieroglyphic pornography. Meanwhile, a relentless Australian detective sets off on the case of his career, spanning the globe in search of a murderer. And another murderer. And possibly another murderer. The confluence of these seemingly separate stories results in an explosive ending, at once inevitable and utterly unpredictable.

Arthur Phillips leads this expedition to its unforgettable climax with all the wit and narrative bravado that made Prague one of the most critically acclaimed novels of 2002. Exploring issues of class, greed, ambition, and the very human hunger for eternal life, this staggering second novel gives a glimpse of Phillips's range and maturity, and is sure to earn him further acclaim as one of the most exciting authors of his generation


http://www.theegyptologist.com/index.html
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roger
 
  1  
Reply Thu 22 Dec, 2005 09:33 am
Anything by James Lee Burke. Very violent crime/mystery, but unbelievably well written.

Michael McGarrity for contemporary western mysteries.
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Gala
 
  1  
Reply Thu 22 Dec, 2005 09:47 am
boomerang, thanks. i just looked it up in amazon and had a peak inside...boy, that's handy the way they let you read a few pages. it's on the list.
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Gala
 
  1  
Reply Thu 22 Dec, 2005 09:53 am
Hey roger! i read the first page of one of the James Lee burke books and you are so right. It's really well written. Thanks a jillion, man.
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boomerang
 
  1  
Reply Thu 22 Dec, 2005 09:55 am
I've enjoyed it. It's light but not fluffy.

For the history/biography angle you might check out "Starvation Heights". I read that one not long ago and thought it was fascinating.
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BumbleBeeBoogie
 
  1  
Reply Thu 22 Dec, 2005 09:56 am
The Baron in the Trees
This 1957 book is one of my all time fiction favorites. For all parents, whose teenagers are driving them nuts, you should consider yourself lucky you were not Cosimo's parents.

"The Baron in the Trees" is one of Calvino's most charming and whimsical stories, but it's also touched with poignancy and sadness, a mixture at which Calvino excelled. Imaginative, captivating and wonderfully human. Fantastic in the sense that all disbelief is suspended in a way rarely sensed since childhood.

In 1767, 12-year-old Baron Cosimo Piavosco di Rondo refuses to eat the snails he's been served at table and, in an Italian snit, takes to the trees. He spends the rest of his considerably long life in the trees -- with an occasional stopover on a roof or ship's mast, but never touching solid ground again -- in protest against his father and his family, then society in general. The delightful and witty tale, related by his younger, goody-goody- well-behaved brother Biagio, covers Cosimo's loves, battles, thievery, and ultimate death -- ever true to his principles.

When the Baron decides to take up his arboreal existence, one cannot help but believe he is making the right decision. The Baron Cosimo doesn't just live in one tree, he travels around from tree to tree, extremely far distances. While this seemed a little bit implausible, keep in mind that Europe was more heavely forested in the 1700s than now.

Calvino fleshes out the Baron into one of the most believable characters in literature. This is an amazing feat considering the farcical lifestyle the Baron decides to adopt. When Cosimo makes his decision to live his life in the tree tops, we don't doubt that he'll do it. He's a perfectly believable character and perfectly drawn, as is his more practical, down-to-earth (literally) brother.

Calvino takes the opportunity to create a world at once steeped in history, philosophy and politics while at the same time illustrating the everyday existence and lives of those around him. Only Calvino could make us believe in and sympathize with a person who lives out his life in the trees. Cosimo studies, endures illness and injury and even conducts love affairs from his arboreal home.

Cosimo's cat skin hat, the exiles in the trees, the Napoleonic troops all brought to life with amazing detail. Memory, love and history all combine and swirl throughout the story. While there is nothing exactly magical or out of this world about this book, it is one of the best examples of magical realism on a par with the tales of Merlin.

The supporting characters are also very well-drawn and very believable. The number of adventures that Cosimo developes from the trees and his relationship with his pet dog, as well as the entertaining side characters are charming. His sister, who makes suppers from absolutely horrifying ingredients. His mother, who embroiders military strategies onto pillows, are only a few. Cosimo's incredible love of the little girl next door and his very different love of a girl he meets when he travels to meet others whom he discovers living in trees, are only some of the charms of this story.

The Baron in the Trees
by Italo Calvino

Read the first chapter:

http://www.amazon.com/gp/reader/0156106809/ref=sib_fs_top/103-0308164-6501445?%5Fencoding=UTF8&p=S008&checkSum=C9zv84n%2Bjltv48swpUM9siGisX8p5DiJ%2BUhpjJaHAJo%3D#reader-link

Italo Calvino (1923-1985)

Journalist, short story writer and novelist, experimental writer whose imaginative fabulations made him one of the most important Italian fiction writers of the 20th century. Calvino's career as a writer spanned nearly four decades.

"After forty years of writing fiction, after exploring various roads and making diverse experiments, the time has come for me to look for an overall definition of my work. I would suggest this: my working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language." (from Six Memos for the Next Millennium, 1988)

Italo Calvino was born in Santiago de las Vegas, Cuba, of Italian parents. "I will begin by saying that I was born under the sign of Libra," he once said. (Libra is the 7th sign of the zodiak, operative September 24-October 23; the word for book in Italian is libro.) Calvino moved with his family in Italy in his youth and spent his early years in San Remo. Calvino studied at the University of Turin (1941-47) and Royal University in Florence (1943). During the World War II he was drafted into the Young Fascists in 1940, but he left and sought refuge in the Alps. There he joined the Communist Resistance in the Ligurian mountains. From these experiences he drew inspiration for his first stories.

"The sea rose and fell against the rocks of the mole, making the fishing boats sway, and dark-skinned men were filling them with red nets and lobster pots for the evening's fishing. The water was calm, with just a slight continual change of color, blue and black, darker farthest away. I thought of the expanses of water like this, of the infinite grains of soft sand down there at the bottom of the sea where the currents leave white shells washed clean by the waves." (from 'The Argentine Ant' in Adam, One Afternoon, 1949)

After the war Calvino graduated from the University of Turin and worked for the communist periodical L'Unitá in 1945 as a journalist and for Einaudi publishing house from 1948 to 1984. He wrote for various periodicals throughout his life, including L'Unitá, La Nostra Lotta, Il Garibaldino, Voce della Democrazia, Contemporaneo, Cittá Aperta, and La Republica. From 1959 to 1967 he edited with Elio Vittorini the magazine Il Menabó di letteratura. In 1952 he travelled to the Soviet Union and in 1959-60 to the United States. He married Ester Judith Singer in 1964 and in 1967 he moved to Paris, and then to Rome in 1979.

Following in the footsteps of Cesare Pavese, Calvino signed up with the Turin-based publishers Einaudi. Calvino's first novel, Il sentiero dei nidi di ragno (1947) depicted resistance movement, seen through the eyes of a young boy and in Neorealistic manner. The work was noted for its fablelike twists in the narrative. Il visconte dimezzato (1952) marked Calvino's break with the common themes connected with the experience of war. It told the story of a man cut in half by a cannonball during the Turkish-Christian war. The publication of the novel provoked a debate of realism by the Italian Communist party.

In the 1950s published fantastic tales, hovering between allegory and pure fantasy, brought Calvino international acclaim and established his reputation as one of the most important Italian fiction writers of the 20th century. Il visconte dimezzato was followed by Il barone rampante (1957), in which an 18th-century baron's son climbs a tree and ends up spending his life in various treetops. Il cavaliere inesistente (1959) completed the trilogy, which gave precedence to fantasy outside the general neorealistic vein. Behind the playful spinning of tales also can been seen Calvino's questioning about the relationship between the individual conscience and the course of history. In Marcovalco (1963), a collection of fables, Calvino satirized the modern, destructive urban way of living. Marcovalco is a Chaplinisque character, an ordinary working man and a father, who desperately longs for beauty and sinks in his daydreams whenever he can. When everybody leaves the city in August, he enjoys the empty streets. His peace is interrupted by a television group - it wants to interview the only person who is not on holiday.

In the post-1956 period, marked by the events in Hungary which were to cause Calvino to leave the Italian Communist Party, Calvino devoted himself more to journalism than to fiction. When Calvino left the Party he felt deeply distressed and wrote: "Having grown up in times of dictatorship, and being overtaken by total war when of military age, I still have the notion that to live in peace and freedom is a frail kind of good fortune that might be taken away from me in an instant." In one article Calvino asked, "Was I Stalinist Too?"

Calvino visited New York first time in 1959 and came to regard it as "my city". His 'American Diary 1959-60' consisted of letters written to colleagues. Calvino was amazed of the size of the fridges and how ignorant Americans were of Italian writing. In 1964 he went to Paris to strengthen his ties with the latest innovative trends. However, in La nuvola di smog (1965) the author returned for awhile to the social-realistic mode to satirize the industrial society. Le cosmicomiche (1965) set the concepts of evolution against cosmic scales. Through the boasting accounts of Qfwfq, who is as old as the universe, Calvino questions all the basic concepts of scientific theories. Qfwfq changes constantly - it has been a fish, and the last dinosaur. When his dear friend says, "Boys, the noodles I would make for you!", this outburst of general love initiates "at the same moment the concept of space and, properly speaking, space itself, and time, and universal gravitation, and the gravitation universe, making possible billions and billions of suns, and of planets, and fields of wheat..." In Il Castello dei destini incrociati (1973) Calvino found his source of inspiration in two ancient packs of tarot cards. The novel represented a type of open text that allows for a similar variety of possible readings.

"Waiting in line, Mr Palomar contemplates the jars. He tries to find a place in his memories for cassoulet, a rich stew of meats and beans, in which goose-fat is an essential ingredient; but neither his palate's memory nor his cultural memory is of any help to him. And yet the name, the sight, the idea attract him, awaken an immediate fantasy not so much of appetite as of eros: from a mountain of goose-fat a female figure surfaces, smears white over her rosy skin, and he already imagines himself making his way towards her through those thick avalanches, embracing her, sinking with her." (from Mister Palomar, 1983)

Invisible Cities (1972) was a surreal fantasy in which Marco Polo invents dream-cities to amuse Kubla Khan - a city on stilts, a city made of waterpipes, a spiderweb city, a city that cannot be forgotten and so on. Polo's principle as a storyteller is: "Falsehood is never in the words, it is in the things." In Isidore, one of the Cities of Memory, "the foreigner hesitating between two women always encounters a third, and in Zirma one sees "a girl walking with a puma on a leash," and one leaves "Tamara without having discovered it." The Great Khan's labyrinthine empire becomes a metaphor of the universe itself. Calvino won with the book the prestigious Premio Felrinelli Award. Of Calvino's If on a Winter's Night a Traveller (1979), Salman Rushdie declared: "He is writing down what you have always known except that you've never thought of it before."

Le cittá invisibili concist of a conversation between an imaginary Marco Polo and an imaginary Kublai Khan. Marco Polo describes a series of surreal cities in the Khan's domain. Each city is charactericized by a unique quality or concept and they are all named for women. The novel is divided into nine parts. The first and last parts contain five vignettes between the framing narratives. The opening introduces the work as a collection of traveler's tales to which the emperor listens even though he does not necessary believe them. The Khan tries to find significance from Marco Polo's fragmented tales. He is old and weary of power and soon the reader understands that the true story is the ongoing debate between the visionary Marco and the skeptical Kublai - youth against age. The end suggest that the promised land that the Khan seeks is unattainable. The last words are given to Polo, who speaks for what is still hopeful in the reader: although we are in "the inferno of the living" we can accept it and cease to be conscious of it.

In Se una notte d'inverno unviaggiatore ( If on a Winter's Night a Traveller) the story alternates the opening chapters of 10 different novels, and opens with a man discovering that the copy of the novel he has recently purchased is defective, a Polish novel having been bound within its pages. When he returns to the bookshop he meets a young woman, and they find out that their texts are 10 exerpts that parody the genres of conteporary fiction. The book includes instalments of a discourse on the experience of reading. Responsible for the 10 opening chapters might be a literary translator, whose intrigues the fantastical narrative concerns. Calvino seems to consider reading over writing.

Calvino died of cerebral hemorrhage in Siena, on September 19, 1985. His later essays Le lezioni americane were published posthumously. From the collection Under a Jaguar Sun (1991), stories on the five senses, 'sight' and 'touch' were never completed. Calvino works in it around five central qualities of good fiction - lightness, quickness, exactitude, visibility, and multiplicity. In The Uses of Literature (1980) Calvino noted that there should be a time "in adult life devoted to revisiting the most important books of our youth. Even if the books have remained the same (though they do change, in the light of an altered historical perspective), we have most certainly changed, and our encounter will be an entirely new thing."

For further reading: Understanding Italo Calvino by Beno Weiss (1993); Calvino's Fictions by Kathryn Hume (1992); Calvino and the Age of Neorealism by Lucia Re (1990); Calvino Revisited, ed. by Franco Ricci (1989); Introduzione a Calvino by Christina Benussi (1989); Italo Calvino: Introduzione e guida allo studio dell'opera Calviniana, storia e antologia della critica by Giorgia Baroni (1988); Italo Calvino by Albert Howard Carter (1987); Italo Calvino: Writer and Critic by JoAnn Cannon (1981); Calvino: The Writer as Fablemaker by Sara Maria Adler (1979); Invito alla lettura di Italo Calvino by Giuseppe Bonura (1972); Italo Calvino: A Reappraisal and an Appreciation of the Trilogy by J.R. Woodhouse (1968); Calvino by G.P. Bottino (1967) - For further information: - Great Science-Fiction and Fantasy Works - Other masters of allegorical fantasy: Umberto Eco, Vladimir Nabokov, Günter Grass - See also: Magic Realism

Selected bibliography:

Il sentiero dei nidi di ragno, 1947 - The Path to the Nest of Spiders
Ultimo viene il corvo, 1949 - Adam, One Afternoon, and Other Stories
Il visconte dimezzato, 1952 - The Cloven Viscount - suom. Halkaistu varakreivi
Fiable italiane, 1956 - Italian Folktales
Il barone rampante, 1957 - The Baron in the Trees - suom. Paroni puussa, suom. Pentti Saarikoski
Il cavaliere inesistente, 1959 - The Nonexistent Knight - suom. Ritari joka ei ollut olemassa, suom. Pentti Saarikoski
I nostri antenati, 1960 - Our Ancestors
Marcovaldo; ovvero, le stagioni in cittá, 1963 - Marcovaldo; or, The Seasons in the City
La nuvola di smog, 1965 - Smog, published in Difficult Loves; Smog; A Plunge into Real Estate
Le cosmicomiche, 1965 - Cosmicomics - suom. Kosmokomiikkaa
Ti con zero, 1967 - T zero
Le cittá invisibli, 1972 - Invisible cities - suom. Näkymättömät kaupungit
Il castello dei destini incrociati, 1973 - The Castle of Crossed Destines
Se una notte d'inverno un viaggiatore, 1979 - If on a winter's night traveller - suom. Jos talviyönä matkamies
Una pietra sopra: Discorsi di letteratura e societá, 1980 - The Uses of Literature
Palomar, 1983 - Mister Palomar - suom. Herra Palomar
Lezioni americane: Sei proposte per il prossimo millenio, 1988 - Six Memos for the Next Millenium
Perché leggere i classici, 1991
Hermit in Paris: Autobiographical Writings, 2003
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BumbleBeeBoogie
 
  1  
Reply Thu 22 Dec, 2005 10:00 am
My Dog Tulip
My Dog Tulip
by J. R. Ackerley

Editorial Reviews

Amazon.com

My Dog Tulip is the ultimate bitch session--in the canine sense of the phrase, of course. In 1947, J.R. Ackerley rescued an 18-month-old German shepherd, and from the start her every look and move were to undo him. "Tulip never let me down. She is nothing if not consistent. She knows where to draw the line, and it is always in the same place, a circle around us both. Indeed, she is a good girl, but--and this is the point--she would not care for it to be generally known." As he anatomizes her from head to toe with the awe-struck precision of a medieval courtier, Ackerley instantly turns us into Tulipomanes. Alas, many of the mere mortals she encounters feel differently, for there are indeed two Tulips. One is highly strung but heroic, flirtatious but true. The other is a four-legged rejoinder to authority: a biter, a barker, and a dab hand at defecating her way around London. Not that any of these are her fault. "You're the trouble," Tulip's one good vet tells Ackerley as she banishes him from the surgery. "She's in love with you, that's obvious. And so life's full of worries for her."

In many ways this 1956 memoir is an intimate saga of human idealism and doggish realism. Or is it the other way around? In any case, this odd couple undertakes a series of adventures, which bring them into contact with a gallery of strange, mostly martial players. There's the taunting Colonel Finch, owner of Gunner, an Alsatian suitor that Tulip finds wanting--and Captain Pugh, who had served with Ackerley in World War I and who even then was a bizarre mixture of efficiency and indolence. Decades later, in "those rare moments when he was not horizontal he would stalk about the farm buildings with great vigor, making pertinent remarks in his military voice and spreading consternation among the cows."

Ackerley stints no detail when it comes to the varieties of Tulip's urinary and anal experience. But he is concerned above all with the canine heart, and the perils of conception and whelping are at his book's center. Tulip's vita amorosa truly is a via dolorosa as she scorns and scants her aristocratic paramours. Finally, "this exquisite creature in the midst of her desire" hears of the call of-- But we shall reveal no more! My Dog Tulip should instantly make its way onto the shelves of lovers of fine dogs (of whichever bloodlines) and finer literature--and doesn't that cover most of humanity? --Kerry Fried

From Library Journal

Ackerly's is one of the first titles in the New York Review of Books' new line of fiction and nonfiction paperbacks. Most pet lovers are suckers for stories about peoples' relationships with dogs and cats. Those stories, however, are usually awful. Printed in a small run in 1956, this book has developed a good reputation as a dog story that captures the way people feel about their pets without being overly mawkish.
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Gala
 
  1  
Reply Thu 22 Dec, 2005 10:08 am
boomerang, Starvation Heights-- too scary. but if it's well-written?
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Gala
 
  1  
Reply Thu 22 Dec, 2005 10:09 am
BumbleBee, Tulip recommendation, that's a good one. thanks
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Green Witch
 
  1  
Reply Thu 22 Dec, 2005 10:10 am
Philippa Gregory - her series about Henry VIII & Elizabeth I.

Girl With A Pearl Earring by Tracy Chevalier
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boomerang
 
  1  
Reply Thu 22 Dec, 2005 10:17 am
It isn't cleverly written - not the kind of book where the word choices blow you away or you find yourself rereading sentences just becasue they are so well put together.

But for a true crime type book I thought it was very well written. I'm not a big true crime reader and picked this one up mostly because it is of local interest.

I'm always amazed at the lengths people will go to in "believing" in something and this book was really astonishing in that regard.
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Gala
 
  1  
Reply Thu 22 Dec, 2005 10:31 am
boomerang, well put about rereading sentences. when it comes to true crime novels, i usually get too spooked. i tried reading White Mishief but had to put it down early on.

speaking of not true crime novels, i thought Scott Turow's Presumed Innocent was quite excellent.

i'm thinking of Saul Bellow could be a goodpick, he's funny but also scathingly serious and brilliant.
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