here's where the bastid has some poems:
LES
Here's Les on Defence of Poetry:
Defence of Poetry
Inside Ayers Rock
Inside Ayers Rock is lit
with paired fluorescent lights
on steel pillars supporting the ceiling
of haze-blue marquee cloth
high above the non-slip pavers.
Curving around the cafeteria
throughout vast inner space
is a Milky way of plastic chairs
in foursomes around tables
all the way to the truck drivers' enclave.
Dusted coolabah trees grow to the ceiling,
TVs talk in gassy colours, and
round the walls are Outback shop fronts:
the Beehive Bookshop for brochures,
Casual Clobber, the bottled Country Kitchen
and the sheet-iron Dreamtime Experience
that is turned off at night.
A high bank of medal-ribbony
lolly jars preside over
island counters like opened crates,
one labelled White Mugs, and covered with them.
A two-dimensional policeman
discourages shoplifting of gifts
and near the entrance, where you pay
for fuel, there stands a tribal man
in rib-paint and pubic tassel.
It is all gentle and kind.
In beyond the children's playworld
there are fossils, like crumpled
old drawings of creatures in rock.
Les Murray
Poetry And Religion
Religions are poems. They concert
our daylight and dreaming mind, our
emotions, instinct, breath and native gesture
into the only whole thinking: poetry.
Nothing's said till it's dreamed out in words
and nothing's true that figures in words only.
A poem, compared with an arrayed religion,
may be like a soldier's one short marriage night
to die and live by. But that is a small religion.
Full religion is the large poem in loving repetition;
like any poem, it must be inexhaustible and complete
with turns where we ask Now why did the poet do that?
You can't pray a lie, said Huckleberry Finn;
you can't poe one either. It is the same mirror:
mobile, glancing, we call it poetry,
fixed centrally, we call it a religion,
and God is the poetry caught in any religion,
caught, not imprisoned. Caught as in a mirror
that he attracted, being in the world as poetry
is in the poem, a law against its closure.
There'll always be religion around while there is poetry
or a lack of it. Both are given, and intermittent,
as the action of those birds - crested pigeon, rosella parrot -
who fly with wings shut, then beating, and again shut.
Les Murray
Towards The Imminent Days (Section 4)
In my aunt's house, the milk jug's beaded crochet cover
tickles the ear. We've eaten boiled things with butter.
Pie spiced like islands, dissolving in cream, is now
dissolving in us. We've reached the teapot of calm.
The table we sit at is fashioned of three immense
beech boards out of England. The minute widths of the year
have been refined in the wood by daughters' daughters.
In the year of Nelson, I notice, the winter was mild.
But our talk is cattle and cricket. My quiet uncle
has spent the whole forenoon sailing a stump-ridden field
of blady-grass and Pleistocene clay never ploughed
since the world's beginning. The Georgic furrow lengthens
in ever more intimate country. But we're talking bails,
stray cattle, brands. In the village of Merchandise Creek
there's a post in a ruined blacksmith shop that bears
a charred-in black-letter script of iron characters,
hooks, bars, conjoined letters, a weird bush syllabary.
It is the language of property seared into skin
but descends beyond speech into the muscles of cattle,
the world of feed as it shimmers in cattle minds.
My uncle, nodding, identifies the owners
(I gather M-bar was mourned by thousands of head).
It has its roots in meadows deeper than Gaelic,
my uncle's knowledge. Farmers longest in heaven
share slyly with him in my aunt's grave mischievous smile
that shines out of every object in my sight
in these loved timber rooms at the threshold of grass.
The depth in this marriage will heal the twentieth century.
Les Murray
The Dream Of Wearing Shorts Forever
To go home and wear shorts forever
in the enormous paddocks, in that warm climate,
adding a sweater when winter soaks the grass,
to camp out along the river bends
for good, wearing shorts, with a pocketknife,
a fishing line and matches,
or there where the hills are all down, below the plain,
to sit around in shorts at evening
on the plank verandah -
If the cardinal points of costume
are Robes, Tat, Rig and Scunge,
where are shorts in this compass?
They are never Robes
as other bareleg outfits have been:
the toga, the kilt, the lava-lava
the Mahatma's cotton dhoti;
archbishops and field marshals
at their ceremonies never wear shorts.
The very word
means underpants in North America.
Shorts can be Tat,
Land-Rovering bush-environmental tat,
socio-political ripped-and-metal-stapled tat,
solidarity-with-the-Third World tat tvam asi,
likewise track-and-field shorts worn to parties
and the further humid, modelling negligee
of the Kingdom of Flaunt,
that unchallenged aristocracy.
More plainly climatic, shorts
are farmers' rig, leathery with salt and bonemeal;
are sailors' and branch bankers' rig,
the crisp golfing style
of our youngest male National Costume.
Most loosely, they are Scunge,
ancient Bengal bloomers or moth-eaten hot pants
worn with a former shirt,
feet, beach sand, hair
and a paucity of signals.
Scunge, which is real negligee
housework in a swimsuit, pyjamas worn all day,
is holiday, is freedom from ambition.
Scunge makes you invisible
to the world and yourself.
The entropy of costume,
scunge can get you conquered by more vigorous cultures
and help you notice it less.
To be or to become
is a serious question posed by a work-shorts counter
with its pressed stack, bulk khaki and blue,
reading Yakka or King Gee, crisp with steely warehouse odour.
Satisfied ambition, defeat, true unconcern,
the wish and the knack of self-forgetfulness
all fall within the scunge ambit
wearing board shorts of similar;
it is a kind of weightlessness.
Unlike public nakedness, which in Westerners
is deeply circumstantial, relaxed as exam time,
artless and equal as the corsetry of a hussar regiment,
shorts and their plain like
are an angelic nudity,
spirituality with pockets!
A double updraft as you drop from branch to pool!
Ideal for getting served last
in shops of the temperate zone
they are also ideal for going home, into space,
into time, to farm the mind's Sabine acres
for product and subsistence.
Now that everyone who yearned to wear long pants
has essentially achieved them,
long pants, which have themselves been underwear
repeatedly, and underground more than once,
it is time perhaps to cherish the culture of shorts,
to moderate grim vigour
with the knobble of bare knees,
to cool bareknuckle feet in inland water,
slapping flies with a book on solar wind
or a patient bare hand, beneath the cadjiput trees,
to be walking meditatively
among green timber, through the grassy forest
towards a calm sea
and looking across to more of that great island
and the further tropics.
Les Murray
Bat's Ultrasound
Sleeping-bagged in a duplex wing
with fleas, in rock-cleft or building
radar bats are darkness in miniature,
their whole face one tufty crinkled ear
with weak eyes, fine teeth bared to sing.
Few are vampires. None flit through the mirror.
Where they flutter at evening's a queer
tonal hunting zone above highest C.
Insect prey at the peak of our hearing
drone re to their detailing tee:
ah, eyrie-ire; aero hour, eh?
O'er our ur-area (our era aye
ere your raw row) we air our array
err, yaw, row wry - aura our orrery,
our eerie ü our ray, our arrow.
A rare ear, our aery Yahweh.
Les Murray
Stumble It!
Tweet This
Bookmark on Delicious
Share on Facebook
Share on MySpace