Favorite Poem

That reminds me of a line by William Carlos Williams

'In summer - the song sings itself'

The Hypnotist
by A. B. "Banjo" Paterson

A man once read with mind surprised
Of the way that people were "hypnotised";
By waving hands you produced, forsooth,
A kind of trance where men told the truth!
His mind was filled with wond'ring doubt;
He grabbed his hat and he started out,
He walked the street and he made a "set"
At the first half-dozen folk he met.
He "tranced" them all, and without a joke
'Twas much as follows the subjects spoke:

First Man

"I am a doctor, London-made,
Listen to me and you'll hear displayed
A few of the tricks of the doctor's trade.
'Twill sometimes chance when a patient's ill
That a dose, or draught, or a lightning pill,
A little too strong or a little too hot,
Will work its way to a vital spot.
And then I watch with a sickly grin
While the patient 'passes his counters in'.
But when he has gone with his fleeting breath
I certify that the cause of death
Was something Latin, and something long,
And who is to say that the doctor's wrong!
So I go my way with a stately tread
While my patients sleep with the dreamless dead."

Next, Please

"I am a barrister, wigged and gowned;
Of stately presence and look profound.
Listen awhile till I show you round.
When courts are sitting and work is flush
I hurry about in a frantic rush.
I take your brief and I look to see
That the same is marked with a thumping fee;
But just as your case is drawing near
I bob serenely and disappear.
And away in another court I lurk
While a junior barrister does your work;
And I ask my fee with a courtly grace,
Although I never came near the case.
But the loss means ruin too you, maybe,
But nevertheless I must have my fee!
For the lawyer laughs in his cruel sport
While his clients march to the Bankrupt Court."

Third Man

"I am a banker, wealthy and bold --
A solid man, and I keep my hold
Over a pile of the public's gold.
I am as skilled as skilled can be
In every matter of £ s. d.
I count the money, and night by night
I balance it up to a farthing right:
In sooth, 'twould a stranger's soul perplex
My double entry and double checks.
Yet it sometimes happens by some strange crook
That a ledger-keeper will 'take his hook'
With a couple of hundred thousand 'quid',
And no one can tell how the thing was did!"

Fourth Man

"I am an editor, bold and free.
Behind the great impersonal 'We'
I hold the power of the Mystic Three.
What scoundrel ever would dare to hint
That anything crooked appears in print!
Perhaps an actor is all the rage,
He struts his hour on the mimic stage,
With skill he interprets all the scenes --
And yet next morning I give him beans.
I slate his show from the floats to flies,
Because the beggar won't advertise.
And sometimes columns of print appear
About a mine, and it makes it clear
That the same is all that one's heart could wish --
A dozen ounces to every dish.
But the reason we print those statements fine
Is -- the editor's uncle owns the mine."

The Last Straw

"A preacher I, and I take my stand
In pulpit decked with gown and band
To point the way to a better land.
With sanctimonious and reverent look
I read it out of the sacred book
That he who would open the golden door
Must give his all to the starving poor.
But I vary the practice to some extent
By investing money at twelve per cent,
And after I've preached for a decent while
I clear for 'home' with a lordly pile.
I frighten my congregation well
With fear of torment and threats of hell,
Although I know that the scientists
Can't find that any such place exists.
And when they prove it beyond mistake
That the world took millions of years to make,
And never was built by the seventh day
I say in a pained and insulted way
that 'Thomas also presumed to doubt',
And thus do I rub my opponents out.
For folks may widen their mental range,
But priest and parson, thay never change."

With dragging footsteps and downcast head
The hypnotiser went home to bed,
And since that very successful test
He has given the magic art a rest;
Had he tried the ladies, and worked it right,
What curious tales might have come to light!

The Bulletin, 19 July 1890

Roethke (from I Am! Says the Lamb)

I had a Donkey, that was all right,
But he always wanted to fly my Kite;
Every time I let him, the String would bust.
Your Donkey is better behaved, I trust.

I Knew a Woman
Theodore Roethke

I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I'd have them sing in chorus, cheek to cheek.)
How well her wishes went! She stroked my chin,
She taught me Turn, and Counter-turn, and stand;
She taught me Touch, that undulant white skin:
I nibbled meekly from her proffered hand;
She was the sickle; I, poor I, the rake,
Coming behind her for her pretty sake
(But what prodigious mowing did we make.)
Love likes a gander, and adores a goose:
Her full lips pursed, the errant note to seize;
She played it quick, she played it light and loose;
My eyes, they dazzled at her flowing knees;
Her several parts could keep a pure repose,
Or one hip quiver with a mobile nose
(She moved in circles, and those circles moved.)
Let seed be grass, and grass turn into hay:
I'm martyr to a motion not my own;
What's freedom for? To know eternity.
I swear she cast a shadow white as stone.
But who would count eternity in days?
These old bones live to learn her wanton ways:
(I measure time by how a body sways.)

Elegy for Jane
(My student, thrown by a horse)
(by Theodore Roethke)

I remember the neckcurls, limp and damp as tendrils;
And her quick look, a sidelong pickerel smile;
And how, once startled into talk, the light syllables leaped for her,
And she balanced in the delight of her thought,

A wren, happy, tail into the wind,
Her song trembling the twigs and small branches.
The shade sang with her;
The leaves, their whispers turned to kissing,
And the mould sang in the bleached valleys under the rose.


Oh, when she was sad, she cast herself down into such a pure depth,
Even a father could not find her:
Scraping her cheek against straw,
Stirring the clearest water.


My sparrow, you are not here,
Waiting like a fern, making a spiney shadow.
The sides of wet stones cannot console me,
Nor the moss, wound with the last light.


If only I could nudge you from this sleep,
My maimed darling, my skittery pigeon.
Over this damp grave I speak the words of my love:
I, with no rights in this matter,
Neither father nor lover.