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'In Memory of W.B. Yeats'

 
 
jjorge
 
Reply Sat 26 Oct, 2002 08:18 pm
I have two most favorite poems. This is one of them:


In Memory of W. B. Yeats
W. H. Auden
--------------------------------------------------------------------------------

I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.

Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.

But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.

Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.

But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.

What instruments we have agree
The day of his death was a dark cold day.

II

You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.




III

Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;

Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;

In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.
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Rae
 
  1  
Reply Sat 26 Oct, 2002 08:40 pm
Laughing Laughing Laughing Laughing Laughing
0 Replies
 
dlowan
 
  1  
Reply Wed 30 Oct, 2002 08:06 am
That is a WONDERFUL poem, Jjorge!

I had not read it before.

Thank you.
0 Replies
 
dlowan
 
  1  
Reply Wed 30 Oct, 2002 08:07 am
I meant "them"!
0 Replies
 
dlowan
 
  1  
Reply Wed 30 Oct, 2002 08:09 am
dammit, no I didn't
0 Replies
 
dlowan
 
  1  
Reply Wed 30 Oct, 2002 08:11 am
Jjorge - are you going to give us your other "most favourite poem"?

Or have you already done so?
0 Replies
 
jeanbean
 
  1  
Reply Wed 30 Oct, 2002 09:30 am
jjorge,
What a poem!
The mood it gives me, on this cold and rainy day....
0 Replies
 
jjorge
 
  1  
Reply Wed 30 Oct, 2002 01:09 pm
[Hi dlowan jeanbean

First, it makes me SO happy to see so many of abuzz's finest on this site. It's great to see you both.

I'm glad you like the Auden poem. I find it so moving. First because I'm always moved by poems of sadness and loss.
Auden's restraint in expressing that loss is beautiful.
The poem was written on the eve of WWII, hence the following gloomy and condemnatory language...

'In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate...'

In line five of the second stanza Auden makes the often quoted and often discussed assertion that:

'...poetry makes nothing happen...'

Then he famously contradicts himself (or seems to) in the last twelve lines by exhorting to the poet to do the extraordinary, the miraculous - to take the horror, the darkness and the 'unsuccess'
of human existence and, 'with the farming of a verse' ...to create something beautiful, and moving and uplifting:

'...With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;

In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.'

I have a CD with Auden reading this poem. It moves me to tears.

PS I have to go to work in a while. I'll post my other 'most favorite'
poem when I return (about 1:30 am GMT-5 hrs.)
0 Replies
 
dlowan
 
  1  
Reply Wed 30 Oct, 2002 04:21 pm
Jjorge - i love what I presume to be the echo in the auden poem - "in the deserts of the heart" with Yeats' famous line about poetry starting "in the foul rag and bone shop of the heart."

I await your poem with eagerness.
0 Replies
 
larry richette
 
  1  
Reply Wed 29 Jan, 2003 02:28 pm
This was one of the last good poems Auden wrote, unfortunately. His work after he moved to America in 1939 was a drastic downturn from the quality of his earlier poetry.
0 Replies
 
dlowan
 
  1  
Reply Sat 1 Feb, 2003 10:10 pm
Larry - I have read nowhere near enough Auden- it would be interesting if you began a thread with that as your thesis -and illustrated it with poems to argue your case -at least it would be interesting to me.
0 Replies
 
kitchenpete
 
  1  
Reply Wed 5 Feb, 2003 11:38 am
My own favourite Yeats Poem
jjorge - great to see you here! It seems as if there has been a steady exodus from abuzz and this is the Land of Plenty that we've been seeking!

Anyway, thanks for your poem - that bittersweet sense is something I find particularly strong.

Here is my own favourite Yeats Poem, which I've done the honour of learning by heart. I can't compete with Auden in memoriam!

'When you are Old'
WB Yeats

WHEN you are old and gray and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face among a crowd of stars.

The above poem was published in The Rose in 1893
0 Replies
 
jjorge
 
  1  
Reply Wed 5 Feb, 2003 12:07 pm
Kitchenpete

Welcome Nice to see you here! Very Happy Very Happy Very Happy
It's nice to see another one of the good guys joining us.
I'm sure by now you've seen that many of your old abuzz friends are here. This is a great venue and it is essentially free of the imposters, name-callers, bomb-throwers etc. that had been dragging abuzz down.
I still go to abuzz (and have no intention to stop) but nowadays I spend more time here.

Glad you liked the Auden poem on Yeats.
I share your admiration for Yeats' 'When You Are Old'. Thanks for posting it.

Able2know is a good site for poetry. If you look around you'll see
we've had some great discusssions - in fact they're all still open.

A2k also has an 'Original Writing' category which has some very nice contributions already. (I've even posted a couple of my own novice poems there. Embarrassed )
0 Replies
 
Buzzcook
 
  1  
Reply Mon 10 Feb, 2003 07:49 pm
Yeats was pretty good
I AM OF IRELAND'
AM of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
`Come out of charity,
Come dance with me in Ireland.'
One man, one man alone
In that outlandish gear,
One solitary man
Of all that rambled there
Had turned his stately head.
That is a long way off,
And time runs on,' he said,
`And the night grows rough.'
I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
`Come out of charity
And dance with me in Ireland.'
The fiddlers are all thumbs,
Or the fiddle-string accursed,
The drums and the kettledrums
And the trumpets all are burst,
And the trombone,' cried he,
`The trumpet and trombone,'
And cocked a malicious eye,
`But time runs on, runs on.'
I am of Ireland,
And the Holy Land of Ireland,
And time runs on,' cried she.
`Come out of charity
And dance with me in Ireland.'


Yeats had an ability to speak plainly to his subject and still maintain a classical elligance. Who can mistake this as anything but a call to action, yet is it a lament that conjures ghosts centuries dead.

http://etext.lib.virginia.edu/etcbin/toccer-new2?id=YeaPoem.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=undone&part=12&division=div1
The rest of the series is here.

Buzz
0 Replies
 
margo
 
  1  
Reply Mon 10 Feb, 2003 08:42 pm
jjorge

Great thread. I love the poetry of Yeats, but don't really have a favourite.

When I was last in Ireland, I wandered latish one night, towards the "Lake Isle of Inisfree". It was about 9pm, probably in May, so the twilight was with us. We don't have twilight where I come from, so this light is just fascinating to me. Inisfree looked absolutely magical. I stood on the shore of the lake, opposite the island, a dog came from somewhere and sat down beside me (in itself surprising!), and it was one of the most peaceful feelings I have ever had. The photos of that place are quite eery in their beauty.
0 Replies
 
jackie
 
  1  
Reply Sun 16 Feb, 2003 11:38 am
Good Morning jjorge, (and other posters),
I enjoy poetry from ALL sources, and read it often-
like you, jjorge, I have a favorite. Edna St. Vincent Millay.

my candle burns at both ends, it will not last the night, but oh, my friends and Oh, my foes, it gives a lovely light
[/color]

The candid, bohemian lifestyle of Edna draws me to all her words, jjorge...

--------------------------------------------------------------------------------

I, being born a woman and distressed
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fair, and feel a certain zest
To bear your body's weight upon my breast:
So subtly is the fume of life designed,
To clarify the pulse and cloud the mind,
And leave me once again undone, possessed.
Think not for this, however, the poor treason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn with pity, -- let me make it plain:
I find this frenzy insufficient reason
For conversation when we meet again.
0 Replies
 
jjorge
 
  1  
Reply Sun 16 Feb, 2003 08:47 pm
Jackie

ESVM is a favorite of mine...made more so by her fans here on A2K who have introduced me to a number of her poems that I didn't know. Piffka in particular is a devotee'.
http://www.able2know.com/forums/viewtopic.php?t=977&highlight=
0 Replies
 
kitchenpete
 
  1  
Reply Mon 17 Feb, 2003 07:39 am
jackie,

Thanks for that - I haven't read any of her work before.

KP
0 Replies
 
jackie
 
  1  
Reply Mon 17 Feb, 2003 09:44 pm
You are welcome KP

As a matter of fact, as I read what jjorge had posted in the topic, and down through the forum, I thought I would post "When you are old" because I like it.... then I read right into your post (above) and was delighted to see someone else likes it to.

EStVM is just so MUCH as I am (in feelings)... it is comfortable to read her.
It is a pleasant feeling to be 'thanked' and included. You're very kind.
0 Replies
 
kitchenpete
 
  1  
Reply Tue 18 Feb, 2003 05:23 am
jackie,

It seems to me to be normal manners, whether in "real life" or the net, to thank someone who introductes something good into my life.

If you are here, you are included!

I shall have to investigate EStVM's oeuvre a little further.

KP
0 Replies
 
 

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