@Fil Albuquerque,
This is clearly off-topic, but I find your remarks so uncannily relating to some thoughts of mine that I want to comment on. I am not going to make any clear point, I have no pretension to explain anything and I might be also over-simplifying things.
Fil Albuquerque wrote:
I yet wonder if it is not the case that Language is everywhere not as verbal code but as code beyond what is verbal...things are build upon things...
I do not think it is everywhere, but I believe that we tend to put it everywhere.
As you suggest, I also agree that initial representations (and I omit to discuss "representation of what?") made through language gradually took off until becoming a thing on its own. The "I" would be an excellent example.
Fil Albuquerque wrote:
...Music and Sound is language, as image is, as sets of objects in which functions and degrees of order are assembled can be credit as a sort of language...
It largely depends on what we think a language is. The hegemonic view would equate language to a medium to convey information. This could be a useful abstraction, and probably in these times it is the main function of over the 50% of the language we speak. But it does not explain what language is and it does not explain the history of language.
I believe that sound/music and images are no languages, not in the beginning at least. My hypothesis is that these artistic expressions pre-exist language and have been determining to what it has become, until a certain point in (pre-)history at least.
At its origin language had probably a strong drive into the imitation of sound and images - if we posit pictographs as a form of language. Those gradually became symbols - through the same process that makes representations to become things on their own.
How come? My guess is that it was witchcraft. The goal was to cast spells, gain control and power over objects and phenomena or to "steal/borrow" their power. According to this view, pictographs were probably the first form of articulated language, because of a higher expressive power and the capability to express more clearly connections between objects and events.
How come sound eventually took over? Well... mobility/portability could have been a factor, I guess.
[En passant, it's funny how much IT has become a repository of tool-concepts in philosophy, I see that as quite recurrent in philosophical fora]. But finally, the stronger reason - to me - would be physical vibration. Simple sounds could express internal states (emotions) and be received "analogically", so that the transmission of information was not based on understanding, but rather on stimuli and reflexes. This magic of sound, the power to affect states of mind, made sound prevail in the end.
(This theory of the power of words-sounds was still
en vogue in the V century Athens).
Fil Albuquerque wrote:
...the order established between objects, abstract or concrete (whatever concrete means) can be translated by several means and still maintain the same form...look for instance on how certain computer programs can translate images in sound or sound in images by applying the mathematical patterns present in them...
I tend to see this in connection to different approaches in philosophy. There is a well established family of metaphysics by which men are ultimately only a function of knowledge.
Plato, Hegel (or the 1st Wittgenstein) are examples. There is this recurrent research/uncovering of patterns that would prove a (rational) super-order that would be the signature of reality. A lighter version would be the search of deep structures of our language/thought that would constitute the only meaningful account of reality.
I am not one of them, but indeed the "existence" of these patterns seems to have been to date the philosophical quest
par excellence, even in post-modern philosophy.
Fil Albuquerque wrote:
Regards>FILIPE DE ALBUQUERQUE
Thank-you for your attention and your remarks, Fil.
M