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From Publishers Weekly
Starred Review.

Though a lot of SF writers are more or less efficiently continuing the tradition of Robert A. Heinlein, Scalzi's astonishingly proficient first novel reads like an original work by the late grand master. Seventy-five-year-old John Perry joins the Colonial Defense Force because he has nothing to keep him on Earth. Suddenly installed in a better-than-new young body, he begins developing loyalty toward his comrades in arms as they battle aliens for habitable planets in a crowded galaxy. As bloody combat experiences pile up, Perry begins wondering whether the slaughter is justified; in short, is being a warrior really a good thing, let alone being human? The definition of "human" keeps expanding as Perry is pushed through a series of mind-stretching revelations. The story obviously resembles such novels as Starship Trooper and Time Enough for Love, but Scalzi is not just recycling classic Heinlein. He's working out new twists, variations that startle even as they satisfy. The novel's tone is right on target, too""sentimentality balanced by hardheaded calculation, know-it-all smugness moderated by innocent wonder. This virtuoso debut pays tribute to SF's past while showing that well-worn tropes still can have real zip when they're approached with ingenuity.
Copyright © Reed Business Information, a division of Reed Elsevier Inc.

am I flattered or offended? I'm somewhat ambivalent re Heinlein.

In Priceless, Robert K. Wittman, the founder of the FBI's Art Crime Team, pulls back the curtain on his remarkable career for the first time, offering a real-life international thriller to rival The Thomas Crown Affair.

Rising from humble roots as the son of an antique dealer, Wittman built a twenty-year career that was nothing short of extraordinary. He went undercover, usually unarmed, to catch art thieves, scammers, and black market traders in Paris and Philadelphia, Rio and Santa Fe, Miami and Madrid.

In this page-turning memoir, Wittman fascinates with the stories behind his recoveries of priceless art and antiquities: The golden armor of an ancient Peruvian warrior king. The Rodin sculpture that inspired the Impressionist movement. The headdress Geronimo wore at his final Pow-Wow. The rare Civil War battle flag carried into battle by one of the nation's first African-American regiments.

The breadth of Wittman's exploits is unmatched: He traveled the world to rescue paintings by Rockwell and Rembrandt, Pissarro, Monet and Picasso, often working undercover overseas at the whim of foreign governments. Closer to home, he recovered an original copy of the Bill of Rights and cracked the scam that rocked the PBS series Antiques Roadshow.

By the FBI's accounting, Wittman saved hundreds of millions of dollars worth of art and antiquities. He says the statistic isn't important. After all, who's to say what is worth more --a Rembrandt self-portrait or an American flag carried into battle? They're both priceless.

The art thieves and scammers Wittman caught run the gamut from rich to poor, smart to foolish, organized criminals to desperate loners. The smuggler who brought him a looted 6th-century treasure turned out to be a high-ranking diplomat. The appraiser who stole countless heirlooms from war heroes' descendants was a slick, aristocratic con man. The museum janitor who made off with locks of George Washington's hair just wanted to make a few extra bucks, figuring no one would miss what he'd filched.

In his final case, Wittman called on every bit of knowledge and experience in his arsenal to take on his greatest challenge: working undercover to track the vicious criminals behind what might be the most audacious art theft of all.