I heard that Wes Montgomery actually had a hit after only a few years of playing guitar. If you notice, his style consists of playing single notes. My guitar style is very similar in that I can play single notes and even some chords with the best of them. Some may thionk Montgomery is a great guitar player, some may think I am a great guitar player. (and some do) But the truth is that without the ability to incorporate chords into the lead, we are both technically lacking. Still, the vast majority of people can't tell the difference.
I will say that any effort to learn an instrument and thus train your ear is an end until itself as you will hear music ins a totally different vein.
Maybe Wes developed more technical expertise than I give him credit for
Quote:Legendary jazz guitarist Wes Montgomery's musical life didn't follow the traditional pattern of many gifted musicians. Never picking up a guitar until he was nearly 20, Wes Montgomery was a quick learner, and within five years was touring and recording with jazz icon vibraphonist Lionel Hampton. To learn more about the intriguing career of Montgomery, read this good online Wes Montgomery bio.
During his abbreviated 43 year stay on the planet, Montgomery nevertheless managed to permanently alter the course of not only jazz guitar, but the role the guitar would play in many different styles of music.
The most immediately obvious of Wes Montgomery's influence has been the widespread use of octaves by guitarists worldwide, a technique rarely used until popularized by Wes in his early recordings. You can hear octave playing in everything from the music of Jimi Hendrix, to the musak that wafts through office buildings worldwide, and it all owes a debt to Wes Montgomery. For more information, read the following Study of Octaves tutorial, which provides detailed instructions on how to go about applying octaves to the guitar.
Eschewing a pick, in favor of his thumb, Montgomery was able to achieve a fuller, more meaty sound. This darkness of that sound, the thick, woolly texture that octaves give, all played on the signature Wes Montgomery L-5, gave Montgomery a sound that made other guitarists drool. In response to the continued enthusiasm by guitarists over Montgomery's sound, Gibson has re-issued the L4 - CES, a guitar Wes himself played late in his career.
But, it wasn't only his sound that guitarists were interested in. Montgomery was a very blues-y, lyrical guitarist who made everything he played sound effortless. Many students of jazz guitar still spend hours poring over every facet of Montgomery solos. There are several online resources for studying the improvisations of Wes Montgomery. Adam Good has posted a transcription of Montgomeryland Funk, in .gif format. You can also find Montgomery's Road Song solo, with accompanying analysis, in .gif format for further insight (Wes Montgomery tab version is also available). There is also a tab transcription of Wes Montgomery playing Round Midnight in the OLGA archives. For those interested in further studying the music of Wes Montgomery, you'll find much to learn in Wes Montgomery - Jazz Guitar Artistry, a book containing 14 Montgomery transcriptions.
For those new to Montgomery's music, the excellent Incredible Jazz Guitar of Wes Montgomery comes highly recommended (site features audio clips) as one of the early essential guitar albums. If you haven't checked him out before, be sure to now, as Wes Montgomery is an integral part of the history of the guitar.
