Panzade wrote:
Quote:Joe...apropos of whatever...did you really see the Unicorn Tapestries?
Yes. And when you get your skinny ass up here to God's country, I'll take you to see them. They are hanging in the Cloisters Museum which is about a mile from where I presently sit.
There's two ways to get there. Trudge up the long hill, turn right and meander throughout the flower gardens of Fort Tryon Park, climb the stairs to see the view of the Hudson and then walk a short way to the museum's entrance. Or go up the elevator and wait for the M4 bus, it takes you right to the door, but you miss the views of the river.
The
The Unicorn Tapestries, which the first two times I was at the museum I scanned as ever tourist does --ahmm, very nice, (yawn)-- are huge pieces with a complex story to tell.
This thought always strikes me as I walk around amidst the medieval art:
they made all this by hand, no cordless drills, no chippers, no power planes, measurement by thumb, hand and limb and level by the sight of your eye. These suits of armor, these coffins, this lacelike crown of gold and jewels, all made without the sound of a motor. There is something purer about it than what we do today.
I was talking with a sculptor yesterday, he was looking for some mini-spikes, a smaller version of the ten inch kind of thing one puts railroad ties down with. These needed to be about the size they probably used to crucify the Christ, three and half inches long with a knobby top. I asked him why he didn't make them himself for his sculpture. He asked me if I thought maybe a garden supply might have something.
Joe(Yes, and see if they have any sculptures for sale while you're at it.)Nation