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Where the Wild Things Are: What Did It Mean to You?

 
 
Reply Tue 8 May, 2012 02:21 pm
Maurice Sendak passed on Tuesday morning early. In many ways he was as great (or maybe greater) influence on a whole generation of kids than Dr. Seuss.

Thoughts?
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farmerman
 
  2  
Reply Tue 8 May, 2012 03:16 pm
@Lustig Andrei,
a little dark and my kids didnt care for his drawings. I had no real opinion, I was merely a conduit for word fuel that fed their little steam engine minds.
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Ragman
 
  2  
Reply Tue 8 May, 2012 03:33 pm
@Lustig Andrei,
He didn't die. He was kidnapped by goblins.
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InfraBlue
 
  1  
Reply Tue 8 May, 2012 03:59 pm
As a kid I didn't like Where the Wild Things Are. I thought the kid in the story was a hateful jerk.
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Lustig Andrei
 
  1  
Reply Tue 8 May, 2012 04:06 pm
The New York Times wrote:
By MARGALIT FOX

Maurice Sendak, widely considered the most important children’s book artist of the 20th century, who wrenched the picture book out of the safe, sanitized world of the nursery and plunged it into the dark, terrifying and hauntingly beautiful recesses of the human psyche, died on Tuesday in Danbury, Conn. He was 83.

The cause was complications of a recent stroke, said Michael di Capua, his longtime editor. Mr. Sendak, who died at Danbury Hospital, lived nearby in Ridgefield, Conn.

Roundly praised, intermittently censored and occasionally eaten, Mr. Sendak’s books were essential ingredients of childhood for the generation born after 1960 or thereabouts, and in turn for their children. He was known in particular for more than a dozen picture books he wrote and illustrated himself, most famously “Where the Wild Things Are,” which was simultaneously genre-breaking and career-making when it was published by Harper & Row in 1963.

Among the other titles he wrote and illustrated, all from Harper & Row, are “In the Night Kitchen” (1970) and “Outside Over There” (1981), which together with “Where the Wild Things Are” form a trilogy; “The Sign on Rosie’s Door” (1960); “Higglety Pigglety Pop!” (1967); and “The Nutshell Library” (1962), a boxed set of four tiny volumes comprising “Alligators All Around,” “Chicken Soup With Rice,” “One Was Johnny” and “Pierre.”

In September, a new picture book by Mr. Sendak, “Bumble-Ardy” — the first in 30 years for which he produced both text and illustrations — was issued by HarperCollins Publishers. The book, which spent five weeks on the New York Times children’s best-seller list, tells the not-altogether-lighthearted story of an orphaned pig (his parents are eaten) who gives himself a riotous birthday party.

A posthumous picture book, “My Brother’s Book” — a poem written and illustrated by Mr. Sendak and inspired by his love for his late brother, Jack — is scheduled to be published next February.



more here:
http://www.nytimes.com/2012/05/09/books/maurice-sendak-childrens-author-dies-at-83.html
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Joe Nation
 
  1  
Reply Wed 9 May, 2012 12:13 pm
I didn't like "Where the Wild Things Are". We had a copy and I think I read it to the boys once before moving on the OZ books, at least three of the series and the Secret Garden, Treasure Island and many others. I had been been in radio and knew how to read a story so the kids could see the pictures they made in their own heads.

Recently, I saw a note on Facebook from my son, B,. He said that his mother (we were divorced before he was two) used to read WTWA to him on his visits "over and over and over". He loved it.

Joe(ya gotta love kids, you never know what the hell they are thinking)Nation
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sozobe
 
  1  
Reply Wed 9 May, 2012 01:11 pm
@Lustig Andrei,
Huge influence.

He was also a sort of family friend, which I don't want to get into too much, but mention because I had enough of a connection to him that I was a little surprised when I got older and realized that he was a big deal to a whole lot of people. It's like when your neighbor down the street makes really good cookies and you enjoy them, and then you find out that she owns an international chain of cookie shops.

"In the Night Kitchen" is the one that had the biggest individual impact on me, as it was my big present (a new hardback) when I went to the hospital to have my tonsils out at age 4 or so. There's a certain floaty dreaminess in the book that really resonated with that experience. It still brings things back when I read it now.

"Higglety Pigglety Pop" was another that was first read to me about ten thousand times and then I read on my own another ten-twenty thousand times, -- one of the first books I read on my own. Later I obsessed over the illustrations.

That's definitely another big influence, the whole old-fashioned crosshatching technique, which I've used a lot.

Then also I worked in a used bookstore for a while and wrote all of the section labels ("Mystery," etc.) in "Maurice Font" (that's what I called it in my head, a certain kind of lettering he used in many of his titles and text within the illustrations).

"Little Bear" was the big one for reading to my own kid, I read all of the classic books many, many times, but Little Bear was the champion, I can probably still recite swaths from memory. (He didn't write it, but illustrated.) And was one of the first things that sozlet read on her own.
Lustig Andrei
 
  1  
Reply Wed 9 May, 2012 01:43 pm
@sozobe,
NPR has been running a lot of retrospective type stories on Sendak. Here's a link to some of them:

http://www.npr.org/2012/05/08/152248901/fresh-air-remembers-author-maurice-sendak
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