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Republic, Lost: How Money Corrupts Congress--and a Plan to Stop It

 
 
Reply Sat 8 Oct, 2011 10:43 am
Republic, Lost: How Money Corrupts Congress--and a Plan to Stop It
by Lawrence Lessig

Product Description

In an era when special interests funnel huge amounts of money into our government-driven by shifts in campaign-finance rules and brought to new levels by the Supreme Court in Citizens United v. Federal Election Commission-trust in our government has reached an all-time low. More than ever before, Americans believe that money buys results in Congress, and that business interests wield control over our legislature.

With heartfelt urgency and a keen desire for righting wrongs, Harvard law professor Lawrence Lessig takes a clear-eyed look at how we arrived at this crisis: how fundamentally good people, with good intentions, have allowed our democracy to be co-opted by outside interests, and how this exploitation has become entrenched in the system. Rejecting simple labels and reductive logic-and instead using examples that resonate as powerfully on the Right as on the Left-Lessig seeks out the root causes of our situation. He plumbs the issues of campaign financing and corporate lobbying, revealing the human faces and follies that have allowed corruption to take such a foothold in our system. He puts the issues in terms that nonwonks can understand, using real-world analogies and real human stories. And ultimately he calls for widespread mobilization and a new Constitutional Convention, presenting achievable solutions for regaining control of our corrupted-but redeemable-representational system. In this way, Lessig plots a roadmap for returning our republic to its intended greatness.

While America may be divided, Lessig vividly champions the idea that we can succeed if we accept that corruption is our common enemy and that we must find a way to fight against it. In REPUBLIC, LOST, he not only makes this need palpable and clear-he gives us the practical and intellectual tools to do something about it.

Editorial Reviews

"Once dubbed a "philosopher king of Internet law," he writes with a unique mix of legal expertise, historic facts and cultural curiosity, citing everything from turn-of-the-century Congressional testimony to Wikipedia to contemporary best-sellers like Chris Anderson's The Long Tail. The result is a wealth of interesting examples and theories on how and why digital technology and copyright law can promote professional and amateur art."
- M.J. Stephey, Time Magazine

"More than anything, Lessig understands and often wrestles with a rather understated theory: common sense."
- Derek Bores, PopMatters

"As an initial matter, Lessigian thought is deeply critical in nature... Perhaps it is the luxury of academia, or his nature generally, but Lessig is not afraid to say (loudly) at times: This doesn't work! We need to change. He says it often, and people are listening."
- Russ Taylor, Federal Commission

"No one is more skilled at making arcane legal and technological questions terrifyingly relevant to everyday life than Lessig."
- Sonia Katyal, Texas Law Review

"Larry Lessig is one of the most brilliant and important legal scholars of our time... His work has recast the very terms of discussion and debate in multiple areas of law, ranging from intellectual property to constitutional theory (...)"
- Elena Kagan, HLS News

About the Author

Lawrence Lessig is the director of the Edmond J. Safra Foundation Center for Ethics at Harvard University, and a professor of law at Harvard Law School. Previously, he was a professor of law at Stanford Law School (where he founded Stanford's Center for Internet and Society) and the University of Chicago Law School. Lessig clerked for Judge Richard Posner on the Seventh Circuit Court of Appeals and Justice Antonin Scalia on the U.S. Supreme Court.

Lessig is the author of five books on the law and technology, including Remix, Code 2.0, Free Culture, The Future of Ideas, and Code and Other Laws of Cyberspace, and has served as lead counsel in a number of important cases marking the boundaries of copyright law in a digital age, including Eldred v. Ashcroft and Golan v. Holder.
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