Did anyone bother to read the links dlowan provided? She included an excerpt, but the links, especially the first one, have so much more information that is quite relevant to this discussion.
http://www.pbs.org/wgbh/pages/frontline/shows/princess/
I have included part of the excerpt Deb had and added more in case no one wants to bother with a link....
Quote:So in the beginning, you set out to make it as a drama?
I set off to investigate this story with the idea of doing it as a drama, and gradually I realized that something completely different was developing. Where I traveled through the Arab world, the story was celebrated. Everyone had their own version of that story, all very, very different. ... Whoever I spoke to -- whether they were Palestinians, whether they were conservative Saudis, whether they were radicals -- they attached themselves to this princess. She'd become a myth. And they identified with her, and they kind of co-opted her to their cause.
People were discussing things with me about their private lives, about their sexual feelings, about their political frustrations, that they'd never discussed with me before. ... Somehow this princess was sort of like a catalyst. And after thinking about it seriously, I thought, my gosh, this is perhaps an even more interesting story to tell.
Quote:Why not do this as a normal documentary?
Because I couldn't have a single interview in it. There was not one person I spoke to, with the exception of a Palestinian family I know very well, who would agree to appear in this film. So it was absolutely understood that "Everything I'm telling you now, Antony, is in confidence. You will never refer to me; you will never expose me, will you?" You couldn't make a documentary. It was impossible. You'd have a whole array of people with their voices distorted and bags on their heads, and that wouldn't make a very good film.
Quote:One of the people I spoke to about the princess' story, it was a woman from Jordan who was a university lecturer. And we talked about that story, and it sparked something in her. And for six hours, she talked about her childhood as a girl in Jordan, experiences she'd had with a maid who had set fire to herself when she was pregnant because there was no way to deal with that.
Josephine and I talked for six hours. She got very, very emotional. And that same afternoon, I traveled to Cairo, [Egypt]. When I arrived, there was a telegram from her husband, who said that she'd committed suicide. Now, there was a lot of backstory to that -- her marriage was in trouble -- but I often wonder whether all that emotional stirring that happened as we talked about the princess wasn't in some small, eventful way a contributing factor to her decision she took to take her life.
So, as can be seen, this is about human beings and the obvious danger of a government run by the church instead of a secular government with checks and balances. By painting it all with a wide brush, the real people involved are never acknowledged; the story is simply given a name of savage, backward, without looking at the courageous people involved who are trying to make a change even though they are risking their lives.
Niether Bob nor I were trying to excuse the Saudis or any of the other religious extremist governments. We were just trying to point out that real people are always involved, regardless of the horrible gravity of the situation or the insularity of the government which allows this kind of thing to happen.
Whether it is an entire society that accepts brutality or just parts here and there that accept lynching or brutalizing gays, there is always the possibility of that behavior lurking just below the surface in any society.