@joefromchicago,
joefromchicago wrote:I think some of those fictional characters were actually based on real people, so I wouldn't say that the authors created them out of thin air.
So, can we agree that Jesus Christ is about as historical as Emma Bovary, Columbo, and Michael Doonesbury? If we do, I consider this point settled not just semantically but substantively. Don't be surprised, though, if theologians and historians categorize you as a Jesus-denier for holding this view.
joefromchicago wrote: [W]hy would anyone choose such a convoluted scheme when a more straightforward one is available?
Because the Jesus story evolved in the Roman Empire, a selective environment where the pagan myths had already 'cornered the market' for straightforward schemes. The Christian memes had to find a niche of their own in order to thrive.
joefromchicago wrote:Again, I find that highly implausible. But if you can cite a comparable example in the world of religion or commerce where that sort of strategy was consciously employed, I'd be happy to discuss it.
In your semantics, would postmodernism fall into the category of "religion or commerce"? In mine, it's a little bit of both. Postmodernist art is exhibited by first-rate museums like the MoMa, and sells for obscene prices at auction, not because it's attractive or expressive or thought-provoking, but precisely because it's not. For example, Christopher Buffer introduces his book
Postmodernism: A Very Short Introduction with a sculpture named
Equivalent VIII, a nondistinct rectangular pile of bricks. It is now a permanent exhibit in the Tate Gallery. And it's precisely its dearth of aesthetic worth to which it owes its place in the Tate Gallery --- or so it seems to me.
I would say similar things of postmodernist philosophy. Although its tide seems to have ebbed a bit since I left academia in 2000, its literature is epidemic at Continental-European universities. It's all over the curriculum and the seminar rooms. Its authors attract a myriad devoted followers among students and professors alike. But why? You would
think it has to be because its authors have important things to say and thought them through in an original, useful, and insightful manner. But they haven't. Some German author once said of an adversary that "he muddies his waters to make readers think they are deep". The name of this author evades me --- Lessing? Heine? --- and he certainly wrote before the 20th century. But he had the postmodernists' number even then. I bet that if Derrida started writing* in French as plain as Ayer and Dennett's English, he would lose most of his followers.
With both examples in mind, I submit to you that it's precisely
because of its useless obscurantism, not in spite of it, that postmodernism can attract such a devoted following. Therefore, I submit, it does match the pattern you were asking about.
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* Well,
technically Derrida is dead, so he'd pull off a Second Coming if he started writing at all. But I trust you get my point.